Festival in Cannes

    Festival in Cannes
    2001

    Synopsis

    Cannes, 1999. Alice, an actress, wants to direct an indie picture. Kaz, a talkative (and maybe bogus) deal maker, promises $3 million if she'll use Millie, an aging French star. But, Rick, a big producer, needs Millie for a small part in a fall movie or he loses his star, Tom Hanks. Is Kaz for real? Can Rick sweet-talk Alice and sabotage Kaz to keep Millie from taking that deal? Millie consults with Victor, her ex, about which picture to make, Rick needs money, an ingenue named Blue is discovered, Kaz hits on Victor's new love, and Rick's factotum connects with Blue. Knives go in various backs. Wheels spin. Which deals - and pairings - will be consummated?

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      Cast

      • Anouk AiméeMillie Marquand
      • Greta ScacchiAlice Palmer
      • Maximilian SchellViktor Kovner
      • Ron SilverRick Yorkin
      • Zack NormanKaz Naiman
      • Peter BogdanovichMilo
      • Jenny GabrielleBlue
      • Alex Craig MannBarry
      • Camilla CampanaleGina
      • Kim KolarichLibby

      Recommendations

      • 80

        Los Angeles Times

        A giddy comic fantasy, full of romance, chicanery and beguiling, sophisticated players.
      • 75

        Christian Science Monitor

        One of the season's most watchable treats.
      • 70

        Variety

        Jaglom's quickest and funniest picture in years and the most accessible.
      • 63

        Boston Globe

        Many of the story lines offer only superficial insight into the characters; Silver's rich but unhappy mogul has been done far too many times.
      • 63

        Philadelphia Inquirer

        It isn't a good movie, but it is diverting, a showcase for Anouk Aimee, Greta Scacchi and Ron Silver, and a peephole on behind-the-scenes moves.
      • 63

        The Globe and Mail (Toronto)

        Festival in Cannes is definitely Jaglomesque, but can't get that tricky balance right -- the result is a picture as charmingly insubstantial as the world it invokes.
      • 50

        ReelViews

        In crafting an insider's perspective, Jaglom has done an effective job. It's too bad that nearly everything else fails.
      • 50

        TV Guide Magazine

        With its brisk pace, breezy dialogue and gently jaundiced view of the rites of filmmaking, this is one of Jaglom's most accessible and genuinely enjoyable films.