In the Heat of the Night

    In the Heat of the Night
    1967

    Synopsis

    African-American Philadelphia police detective Virgil Tibbs is arrested on suspicion of murder by Bill Gillespie, the racist police chief of tiny Sparta, Mississippi. After Tibbs proves not only his own innocence but that of another man, he joins forces with Gillespie to track down the real killer. Their investigation takes them through every social level of the town, with Tibbs making enemies as well as unlikely friends as he hunts for the truth.

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    Cast

    • Sidney PoitierVirgil Tibbs
    • Rod SteigerPolice Chief Bill Gillespie
    • Warren OatesDeputy Sam Wood
    • Peter WhitneyDeputy Courtney
    • Lee GrantMrs. Leslie Colbert
    • Anthony JamesRalph
    • William SchallertMayor Schubert
    • Scott WilsonHarvey Oberst
    • Larry GatesEric Endicott
    • James PattersonMr. Purdy

    Recommendations

    • 100

      New York Daily News

      It’s a pleasure, all too rare, to watch two splendid actors pitted against each other with equal force such as Sidney Poitier and Rod Steiger in the exceptional murder mystery, In the Heat of the Night. Over the years I remember a few extraordinary cases of this kind - Spencer Tracy and Clark Gable in “San Francisco.” Alec Guinness and Jack Hawkins in “The Prisoner,” Richard Burton and Peter O’Toole in “Becket.”
    • 90

      The New York Times

      But here Norman Jewison has taken a hard, outspoken script, prepared by Stirling Silliphant from an undistinguished novel by John Ball, and, with stinging performances contributed by Rod Steiger as the chief of police and Sidney Poitier as the detective, he has turned it into a film that has the look and sound of actuality and the pounding pulse of truth.
    • 90

      Slate

      Steiger got the best actor Oscar for his masterful, Method deep-dive portrayal of Gillespie, a man just smart enough to know he's neither as talented as Tibbs nor as ignorant as the people around him. His jaw always working a wad of gum, his beady eyes darting, his blood pressure stroke-level as he spits out orders, he manages to play big without ever splitting the seams of his character.
    • 80

      The Dissolve

      Though the film portrays the racism of the South as institutional and inescapable, it’s a little too eager to offer glimmers of hope with increasing frequency as the film nears its end and Tibbs and Gillespie come to understand each other better.
    • 80

      The Guardian

      The sheer tactlessness of its racial confrontation has a forthright quality and a not entirely intentional documentary realism, especially in the scenes shot on location in Sparta, Illinois (standing in for a fictional Mississippi town).
    • 80

      Variety

      An excellent Sidney Poitier performance, and an outstanding one by Rod Steiger, overcome some noteworthy flaws to make In The Heat of the Night an absorbing contemporary murder drama, set in the deep, red-necked South.
    • 80

      The Hollywood Reporter

      A gripping and suspenseful murder mystery that effects a feeling of greater importance by its veneer of social significance and the illusion of depth in its use of racial color.
    • 80

      Empire

      The twist-filled storyline, which digs up nasty secrets all over the show and offers a satisfying range of suspicious suspects and a truly disgusting killer, remains gripping, and the excellent, understated lead performances don't harp on the racial angle in that embarassing fashion which makes so many Socialy Significant films instantly dated.

    Seen by

    • ashleynow
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    • MARTIN