Synopsis
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
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Cast
- Harrison FordRick Deckard
- Rutger HauerRoy Batty
- Sean YoungRachael
- Edward James OlmosGaff
- M. Emmet WalshBryant
- Daryl HannahPris
- William SandersonJ.F. Sebastian
- Brion JamesLeon Kowalski
- Joe TurkelDr. Eldon Tyrell
- Joanna CassidyZhora
- 100
Chicago Reader
The grafting of 40s hard-boiled detective story with SF thriller creates some dysfunctional overlaps, and the movie loses some force whenever violence takes over, yet this remains a truly extraordinary, densely imagined version of both the future and the present, with a look and taste all its own. - 100
Chicago Tribune
Most important, several elements -- the film's tough, new ending; a sly, fleeting dissolve of a unicorn, not in the original; and a brilliant, trompe d'oeil flicker of life in a shot of a still photograph -- bring Deckard's existential dilemma into focus. [11 Sept 1992] - 100
Los Angeles Times
May be the best "new" American movie released this year. - 100
Washington Post
This movie is great in any version...I don't miss what has been cut from the new version. The overall effect is so beautifully wrought, a few details aren't going to bring things crashing down. - 100
Washington Post
Grand enough in scale to carry its many Biblical and mythological references, Blade Runner never feels heavy or pretentious -- only more and more engrossing with each viewing. It helps, too, that it works as pure entertainment. - 91
Entertainment Weekly
This is perhaps the only science-fiction film that can be called transcendental. - 88
USA Today
What remains is a great Vangelis score, astonishing production design, Hauer's career role -- and a movie that deserves its cult reputation despite an unloving heart. [11 Sept 1992] - 75
San Francisco Chronicle
Today, Blade Runner works better than ever: Scott's version not only has more dramatic integrity, but its visual aesthetic and futuristic vision are more in sync with today's movie-goers. [11 Sept 1992]
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