Synopsis
After a Tibetan boy, the mystical Golden Child, is kidnapped by the evil Sardo Numspa, humankind's fate hangs in the balance. On the other side of the world in Los Angeles, the priestess Kee Nang seeks the Chosen One, who will save the boy from death. When Nang sees social worker Chandler Jarrell on television discussing his ability to find missing children, she solicits his expertise, despite his skepticism over being "chosen."
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Cast
- Eddie MurphyChandler Jarrell
- Charles DanceSardo Numspa
- Charlotte LewisKee Nang
- J.L. ReateThe Golden Child
- Victor WongThe Old Man
- Randall "Tex" CobbTil
- James HongDoctor Hong
- Shakti ChenKala
- Tau LogoYu
- Masanori ToguchiKhan
- 75
Chicago Sun-Times
There are a lot of moments to remember in The Golden Child, but the one I will treasure the longest happens when Eddie Murphy gets behind the wheel of a beat-up station wagon and is led by a sacred parakeet to the lair of the devil. - 60
The Dissolve
A non-movie that seems to wash over audiences without making any kind of impression. Except for those it does impress. - 50
The New York Times
After his triumphant Beverly Hills Cop, Eddie Murphy could have done anything. Why, then, did he choose to head for the mysterious Orient to make a film as rich in mumbo jumbo as The Golden Child? Mr. Murphy's comic skepticism in the face of all this is the film's greatest asset. But it is worn thin by the awareness that not even he seems able to take the adventure seriously, and by the preposterousness and inconsistency of what surrounds him. - 50
Time Out London
As in Big Trouble, there is much playing around with oriental mythic nonsense: underground caverns, magic daggers, even a trip to Tibet. But where the movie really misses a trick is its inability to reproduce the balletic splendours of martial arts. The surprise is Murphy, who relies more on his undoubted charm than on the stream of wisecracks he usually delivers. - 50
Miami Herald
It's not awful; it isn't dull. But The Golden Child is a kids' film, and there are times when Murphy himself seems uncomfortable, as if he knows he's making a movie he wouldn't pay to see. [13 Dec 1986, p.B1] - 40
Variety
A strange hybrid of Far Eastern mysticism, treacly sentimentality, diluted reworkings of Eddie Murphy’s patented confrontation scenes across racial and cultural boundaries, and dragged-in ILM (Industrial Light & Magic) special effects monsters, film makes no sense on any level. - 40
Washington Post
The action sequences are cloddishly orchestrated. And for the most part, the movie simply doesn't make sense. - 25
Chicago Tribune
A weirdly out-of-scale movie that constantly juxtaposes the trivial and the cosmic, less to comic effect than to a mounting sense of muddle and uncertainty.