Poltergeist III

    Poltergeist III
    1988

    Synopsis

    Carol Anne has been sent to live with her Aunt and Uncle in an effort to hide her from the clutches of the ghostly Reverend Kane, but he tracks her down and terrorises her in her relatives' appartment in a tall glass building. Will he finally achieve his target and capture Carol Anne again, or will Tangina be able, yet again, to thwart him?

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    Cast

    • Tom SkerrittBruce Gardner
    • Nancy AllenPatricia Wilson-Gardner
    • Heather O'RourkeCarol Anne Freeling
    • Lara Flynn BoyleDonna Gardner
    • Kipley WentzScott
    • Zelda RubinsteinTangina Barrons
    • Richard FireDr. Seaton
    • Nathan DavisReverend Henry Kane
    • Joey GarfieldJeff
    • Heather HoltyCarol Anne Freeling (Stand-in)

    Recommendations

    • 60

      Los Angeles Times

      Poltergeist III is another sequel that seems to exist for no better reason than justifying its title and number.
    • 50

      Slant Magazine

      At its best, Poltergeist III recalls that surreal mix of DIY ingenuity and narrative ineptitude that mark some of Lucio Fulci’s lesser efforts. At its worst, well, it’s just another soulless, hacky-tacky horror sequel.
    • 50

      The New York Times

      Poltergeist III suffers from bad casting and from the actors' having been encouraged to behave as if sampling an exciting new toothpaste; everyone smiles unreasonably, except when screaming.
    • 50

      Chicago Tribune

      Poltergeist at this point is a brand name without a distinctive product to sell-no vivid characters, no unique situations, no look or meaning of its own.
    • 40

      Variety

      Director/co-writer Gary Sherman demonstrates absolutely no interest in whether this film ever has a modicum of meaning as he rushes from one special effect to another. Even there, Sherman arrives too late.
    • 37

      Washington Post

      Gary Sherman, the film's cowriter and director, has set up a showcase for scary effects, and some of them are rather nice, in a grisly sort of way. It's clear that Sherman knows how to engineer this sort of thing. What's also clear is that without some semblance of an actual movie around them, these pyrotechnics really start to get on your nerves.
    • 30

      Time Out

      A low-budget sequel which tries, and fails, to make a virtue out of adversity by substituting cheap mechanical effects for the expensive light and magic of Parts I and II.
    • 25

      TV Guide Magazine

      The second sequel to the hit 1982 haunted-house extravaganza is an erratic affair, containing some promising ideas and clever effects that, unfortunately, are haphazardly presented in a narrative so perfunctory as to be almost nonexistent.