Look Who's Talking Now!

    Look Who's Talking Now!
    1993

    Synopsis

    When high-powered executive Samantha LeBon hatches a scheme to spend a romantic Christmas with her new employee – the unsuspecting, blithesome James – his wife, their kids and their two dogs, Rocks and Daphne, must rescue him before he makes a terrible mistake.

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    Cast

    • John TravoltaJames Ubriacco
    • Kirstie AlleyMollie Ubriacco
    • Diane KeatonDaphne (voice)
    • Danny DeVitoRocks (voice)
    • Olympia DukakisRosie
    • David GallagherMikey Ubriacco
    • Tabitha LupienJulie Ubriacco
    • Lysette AnthonySamantha LeBon
    • Charles BarkleyCharles Barkley
    • George SegalAlbert

    Recommendations

    • 60

      Los Angeles Times

      The reason that the film (rated PG-13 for off-color dialogue) is borderline pleasant is because, even more than in the first two films, Travolta and Alley are a marvelous team.
    • 58

      Entertainment Weekly

      Though Alley, Travolta, and their canine counterparts do their zany best to be irresistible, Look Who’s Talking Now! probably won’t become a yuletide classic. Even so, the happy ending of this harmless comedy serves one purpose: reassuring doubting kids that Santa really does exist, a lesson parents might like — at least until the li’l ones climb into the big guy’s lap and ask for a dog for Christmas.
    • 50

      The New York Times

      Like an over-dressed Christmas tree, Look Who's Talking Now is a movie so eager to shine that it arrives draped in several layers of sentimental tinsel and cutesy-pie decorations.
    • 50

      TV Guide Magazine

      It's often a pleasant diversion, and much more entertaining than LOOK WHO'S TALKING 2, which over-extended the talking baby tricks.
    • 40

      Time Out

      Comic interest is sustained by the entrance of prissy poodle Daphne (voice-over: Diane Keaton), but the preponderance of nudging innuendo was enough to earn the film a '12' certificate, thus excluding the audience of younger children who might otherwise have enjoyed the movie.
    • 25

      Chicago Sun-Times

      The first film had maybe a shred of realism to flavor its romantic comedy. This one looks like it was chucked up by an automatic screenwriting machine.
    • 20

      Empire

      Unsurprisingly this film is weak. The final film in a weak trilogy, filled with weak characters, who have weak dialogue and feature in a, you guessed it, weak plot. Thankfully Travolta's next film would be Pulp Fiction giving his career a well-needed boost, it's a shame the same couldn't said for Allie.
    • 20

      Variety

      One nagging point: Pic seems aimed at kidvid market, but it revels in its ongoing references to open sexuality, including a reprise of opening credits that run over a microscopic view of squirming sperm. Very tasteful.

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