Synopsis
When high-powered executive Samantha LeBon hatches a scheme to spend a romantic Christmas with her new employee – the unsuspecting, blithesome James – his wife, their kids and their two dogs, Rocks and Daphne, must rescue him before he makes a terrible mistake.
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Cast
- John TravoltaJames Ubriacco
- Kirstie AlleyMollie Ubriacco
- Diane KeatonDaphne (voice)
- Danny DeVitoRocks (voice)
- Olympia DukakisRosie
- David GallagherMikey Ubriacco
- Tabitha LupienJulie Ubriacco
- Lysette AnthonySamantha LeBon
- Charles BarkleyCharles Barkley
- George SegalAlbert
- 60
Los Angeles Times
The reason that the film (rated PG-13 for off-color dialogue) is borderline pleasant is because, even more than in the first two films, Travolta and Alley are a marvelous team. - 58
Entertainment Weekly
Though Alley, Travolta, and their canine counterparts do their zany best to be irresistible, Look Who’s Talking Now! probably won’t become a yuletide classic. Even so, the happy ending of this harmless comedy serves one purpose: reassuring doubting kids that Santa really does exist, a lesson parents might like — at least until the li’l ones climb into the big guy’s lap and ask for a dog for Christmas. - 50
The New York Times
Like an over-dressed Christmas tree, Look Who's Talking Now is a movie so eager to shine that it arrives draped in several layers of sentimental tinsel and cutesy-pie decorations. - 50
TV Guide Magazine
It's often a pleasant diversion, and much more entertaining than LOOK WHO'S TALKING 2, which over-extended the talking baby tricks. - 40
Time Out
Comic interest is sustained by the entrance of prissy poodle Daphne (voice-over: Diane Keaton), but the preponderance of nudging innuendo was enough to earn the film a '12' certificate, thus excluding the audience of younger children who might otherwise have enjoyed the movie. - 25
Chicago Sun-Times
The first film had maybe a shred of realism to flavor its romantic comedy. This one looks like it was chucked up by an automatic screenwriting machine. - 20
Empire
Unsurprisingly this film is weak. The final film in a weak trilogy, filled with weak characters, who have weak dialogue and feature in a, you guessed it, weak plot. Thankfully Travolta's next film would be Pulp Fiction giving his career a well-needed boost, it's a shame the same couldn't said for Allie. - 20
Variety
One nagging point: Pic seems aimed at kidvid market, but it revels in its ongoing references to open sexuality, including a reprise of opening credits that run over a microscopic view of squirming sperm. Very tasteful.