The Man Without a Face

    The Man Without a Face
    1993

    Synopsis

    Justin McLeod is a former teacher who lives as a recluse on the edge of town after his face is disfigured from an automobile accident ten years earlier, in which a boy was incinerated--and for which he was convicted of involuntary manslaughter. Also suspected of being a paedophile, he is befriended by Chuck, causing the town's suspicions and hostility to be ignited.

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    Cast

    • Mel GibsonJustin McLeod
    • Nick StahlCharles E. 'Chuck' Norstadt
    • Margaret WhittonCatherine Palin
    • Fay MastersonGloria Norstadt
    • Gaby HoffmannMegan Norstadt
    • Geoffrey LewisChief Wayne Stark
    • Richard MasurProf. Carl Hartley
    • Michael DeLuiseDouglas Hall, Gloria's Boyfriend
    • Ethan PhillipsTodd Lansing
    • Jean De BaerMrs. Lansing

    Recommendations

    • 88

      Boston Globe

      What Gibson gives us is a portrait of a man behaving gracefully under several kinds of pressure, some of it shamefully unfair. It's a solid acting achievement, and his directing, which never calls attention to itself, is right on the money, too. The Man Without a Face is an affecting evocation of a man of principle who teaches a boy what's important. [25 Aug 1993, p.53]
    • 83

      Christian Science Monitor

      Gibson has done a capable job of directing The Man Without a Face, showing little in the way of a personal style, but taking advantage of the skills brought to the project by his collaborators. [27 Aug 1993]
    • 80

      The New York Times

      The best that can be said about Mr. Gibson as a director -- and this is no mean achievement -- is that it's often possible to forget he was the man behind the camera. Most of this film has a crisp, picturesque look and a believable manner.
    • 80

      Washington Post

      In The Man Without a Face, Mel Gibson reminds us that he doesn't need one-liners and explosive special effects to warrant our attention. Gibson, as actor and first-time director, is not only self-assured in these dual roles, but he seems relieved to let the drama carry him, rather than the reverse. The result is a movie that's both heartwarming and heart-wrenching.
    • 80

      Los Angeles Times

      Minor reservations aside, The Man Without a Face is a moving and substantial achievement. [25 Aug 1993, p.1]
    • 75

      Chicago Sun-Times

      Gibson, as director, doesn't give himself a soppy speech explaining why he doesn't say them. He lets us figure it out. That is the essence of the story and, we eventually realize, the essence of teaching, too.
    • 63

      Rolling Stone

      For all the humor, passion and decency Gibson invests in the film, The Man Without a Face doesn't add up to much more than a pretty reminder not to judge a book by its cover.
    • 63

      Chicago Tribune

      The story is full of good feelings, but as one sits there it all seems so predictable that you can't help but ask the point of it all. [27 Aug 1993, p.C]

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