I Stand Alone

4.00
    I Stand Alone
    1998

    Synopsis

    After completing jail time for beating up a man who tried to seduce his mentally-handicapped teenage daughter, The Butcher wants to start life anew. He institutionalizes his daughter and moves to the Lille suburbs with his mistress, who promises him a new butcher shop. Learning that she lied, The Butcher returns to Paris to find his daughter.

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    Cast

    • Philippe NahonThe Butcher
    • Blandine LenoirDaughter
    • Frankie PainMistress
    • Martine AudrainBelle-Mere
    • ZavenMan with Morals
    • Jean-François RaugerReal Estate Agent
    • Guillaume NiclouxSupermarket Manager
    • Olivier DoranPresenter (voice)
    • Aïssa DjabriDoctor Choukroun
    • Serge FaurieDirector of Hospital

    Recommendations

    • 89

      Austin Chronicle

      I Stand Alone uses a cannon ball to shatter the psychological horror at the heart of human society.
    • 88

      San Francisco Examiner

      I Stand Alone has the ghastly stink of a rotting corpse. You can smell the cess as clearly as you can see the blood vessels striking like lightning around the pupils of its malefactor's eyes.
    • 83

      The A.V. Club

      I Stand Alone, Gaspar Noé's raw, corrosive, and relentlessly provocative response—part companion piece, part critique—to Taxi Driver unfolds with rare force and clarity of vision, rarer still for a director's first feature.
    • 80

      Time Out

      A film of alarming intensity.
    • 80

      Total Film

      Bolstered by a fine performance from Nahon, this even merits comparisons with Scorsese's Taxi Driver.
    • 75

      San Francisco Chronicle

      I Stand Alone ("Seul contre tous" in French) is a portrait of a pathetic soul, but it is also a cautionary tale. The butcher cannot be dismissed as a monster, nor is this a creep show. Something like the butcher's story can be found almost every day in newspaper crime reports.
    • 75

      Chicago Tribune

      Strange and unsettling as it is, Noe's clarity of vision makes his film ignite. Like a slammed door or a scream of anger, it slaps you awake.
    • 70

      The New York Times

      The movie's triumph -- if that's what it is -- is in the force of its assault. It takes one man's unbearable truth and bashes us in the skull with it.

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