Charlotte Gray

    Charlotte Gray
    2001

    Synopsis

    This is a drama set in Nazi-occupied France at the height of World War II. Charlotte Gray tells the compelling story of a young Scottish woman working with the French Resistance in the hope of rescuing her lover, a missing RAF pilot. Based on the best-selling novel by Sebastian Faulks.

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    Cast

    • Cate BlanchettCharlotte Gray
    • Billy CrudupJulien Levade
    • Michael GambonLevade
    • Rupert Penry-JonesPeter Gregory
    • Anton LesserRenech
    • James FleetRichard Cannerly
    • Abigail CruttendenDaisy
    • Charlotte McDougallSally
    • Robert HandsBorowski
    • Nicholas FarrellMr. Jackson

    Recommendations

    • 80

      Washington Post

      Has an intoxicating, old-fashioned feel about it. We are instantly lost in the period, thanks to cinematographer Dion Beebe's almost haloed images and Joseph Bennett's authentic, restrained production design.
    • 75

      USA Today

      Displays so much promise with its beautiful cinematography and superb portrayal by Cate Blanchett that you scarcely notice (or even care) that the story is a bit thin.
    • 60

      Film Threat

      The radiant Blanchett makes Charlotte's individual journey from lovelorn lady to independent woman believable and involving, and that's ultimately what counts the most -- even if the destination is less than ideal.
    • 50

      Philadelphia Inquirer

      Not a movie, it's a museum catalog of gorgeously rendered portraits and landscapes. What a crashing disappointment.
    • 50

      Entertainment Weekly

      A frustratingly inert story, a bookend to last year's wooden ''Captain Corelli's Mandolin.''
    • 50

      TV Guide Magazine

      Armstrong is fortunate to have the luminous Blanchett, who, along with her equally fine supporting cast, helps compensate for what the film lacks.
    • 40

      Variety

      A bland and dour screen version of Sebastian Faulks' highly engrossing bestseller.
    • 40

      Chicago Reader

      I never thought that a thoughtful director like Gillian Armstrong would get trapped in such Euro-nonsense, but I guess there's a first time for everything.

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