The Hot Chick

    The Hot Chick
    2002

    Synopsis

    Not only is Jessica Spencer the most popular girl in school -- she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.

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    Cast

    • Rob SchneiderJessica
    • Anna FarisApril
    • Matthew LawrenceBilly
    • Eric Christian OlsenJake
    • Robert DaviStan
    • Melora HardinCarol
    • Alexandra HoldenLulu
    • Rachel McAdamsJessica
    • Maritza MurrayKeecia
    • Fay HauserMrs. Thomas

    Recommendations

    • 50

      The Globe and Mail (Toronto)

      For the price of a ticket, and 100 minutes of your time, how many laughs are enough to qualify as just compensation? Will four or five do? Let's be generous and count five.
    • 50

      Village Voice

      The cast, save the charisma-free Schneider, is uniformly hilarious, and deserves classier high jinks than this Juwanna Tootsie roll.
    • 40

      TV Guide Magazine

      If you pitch your expectations at an all time low, you could do worse than this oddly cheerful -- but not particularly funny -- body-switching farce.
    • 40

      The A.V. Club

      Schneider and director/co-writer/Animal vet Tom Brady continue to subscribe to the notion that any joke worth making is worth beating to death, but there's still something strangely endearing about Schneider's willingness to do anything for a laugh.
    • 38

      New York Daily News

      If you're in an especially generous mood, you'll give in to a few laughs. By the end, though, you just may find yourself pining for the good old days of Pauly Shore.
    • 38

      Philadelphia Inquirer

      This unabashedly stupid comedy is, well, unabashedly stupid.
    • 30

      Variety

      At best routinely assembled -- at worst barely competent. The slapstick is labored, and the bigger setpieces flat.
    • 30

      L.A. Weekly

      Marks no discernible improvement on its predecessors "Deuce Bigalow: Male Gigolo" and "The Animal," though the sight of the deeply unprepossessing Schneider all dolled up for girlie business is good for a few shallow chuckles.

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