Synopsis
In year 1250 B.C. during the late Bronze age, two emerging nations begin to clash. Paris, the Trojan prince, convinces Helen, Queen of Sparta, to leave her husband Menelaus, and sail with him back to Troy. After Menelaus finds out that his wife was taken by the Trojans, he asks his brother Agamemnon to help him get her back. Agamemnon sees this as an opportunity for power. They set off with 1,000 ships holding 50,000 Greeks to Troy.
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Cast
- Brad PittAchilles
- Orlando BloomParis
- Eric BanaHector
- Brian CoxKing Agamemnon
- Sean BeanOdysseus
- Brendan GleesonMenelaos
- Diane KrugerHelen
- Peter O'ToolePriam
- Rose ByrneBriseis
- Saffron BurrowsAndromache
- 80
Time
In this vigorous, stalwart epic, they blend martial breadth and emotional intimacy, honor and obsession, romance and machismo to show the glamour and folly of war. - 80
Newsweek
Troy is a fun, energizing piece of summer entertainment, even if it doesn't have the depth or the sustained intensity of "Gladiator." - 75
Rolling Stone
Troy lacks the focus of Gladiator, not to mention that Oscar winner's scrappy wit. But why kick a gift horse when you're in summer-movie heaven? - 70
The New Yorker
The movie is successful -- harsh, serious, and both exhilarating and tragic, the right tonal combination for Homer. [17 May 2004, p. 107] - 60
Variety
Despite a sensationally attractive cast and an array of well-staged combat scenes presented on a vast scale, Wolfgang Petersen's highly telescoped rendition of the Trojan War lurches ahead in fits and starts for much of its hefty running time, to OK effect. - 60
New York Magazine (Vulture)
Except for a few brilliant flashes, mostly from Peter O'Toole as Hector’s father, the Trojans' magisterially woebegone King Priam, Troy is a fairly routine action picture with an advanced case of grandeuritis. - 60
Empire
Bruising battles and some stirring performances make Troy enjoyable, if rather long. But if audiences can forgive the camp, they'll still struggle to empathise with the characters. - 50
The Hollywood Reporter
A protracted and uninvolving affair in which men battle over issues that audiences may struggle to find compelling, and no central figure emerges to take command of the film.
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