Synopsis
Deuce Bigalow goes to Amsterdam after a little accident including two irritating kids and a bunch of aggressive dolphins. There he meets up with his old friend T.J. Hicks. But a mysterious killer starts killing some of Amsterdam's finest gigolos and T.J. is mistaken for the extremely gay murderer. Deuce must enter the gigolo industry again to find the real murderer and clear T.J.'s name.
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Cast
- Rob SchneiderDeuce Bigalow
- Eddie GriffinT.J. Hicks
- Jeroen KrabbéGaspar Voorsboch
- Til SchweigerHeinz Hummer
- Douglas SillsChadsworth Buckingham, III
- Carlos PonceRodrigo
- Charles KeatingGian-Carlo
- Hanna VerboomEva
- Alex DimitriadesEnzo Giarraputo
- Kostas SommerAssapopoulos Mariolis
Recommendations
- 60
Dallas Observer
Definitely merits its R rating with a fearless approach that will earn genuine laughs as it turns a few stomachs. Yes, a Rob Schneider movie that's funny. Strange but true. - 60
L.A. Weekly
As before, there are moments, when Schneider is turned loose to do his anything-goes, creepy-funny shtick, that are crudely inspired. - 58
Entertainment Weekly
While sloppier than the sloppiest of seconds, is laudable in one important regard: Its obsession with the male body. - 50
The Hollywood Reporter
Every bit as vulgar, sophomoric and thoroughly tasteless as 1999's Deuce Bigalow: Male Gigolo. But what is most annoying is the sequel's capability of inducing laughter even as one hates oneself for so easily succumbing to the total silliness of it all. - 50
Los Angeles Times
Director Mike Bigelow maintains a mercifully swift pace, and while the film's humor is deliberately as crass as humanly possible, it is not truly mean-spirited, even though Amsterdam is depicted as a modern-day Sodom and Gomorrah. - 30
Variety
Rude, crude and, uh, cosmopolitan, Deuce Bigalow: European Gigolo waves the flag for R-rated politically incorrect studio comedy but doesn't top the laugh ratio of the first Deuce misadventure. - 30
Washington Post
It's not Deuce's satisfied clientele, but the audience, that gets the shaft. - 25
Chicago Tribune
The director is first-timer Mike Bigelow. Nothing's paced or shaped for maximum payoff; the shooting and editing rhythms add only clutter and noise, and the slapstick is strictly of the skull-banging, ear-splitting variety.
