The Good German

    The Good German
    2006

    Synopsis

    An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.

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    Cast

    • George ClooneyJake Geismar
    • Cate BlanchettLena Brandt
    • Tobey MaguireTully
    • Beau BridgesColonel Muller
    • Tony CurranDanny
    • Leland OrserBernie Teitel
    • Jack ThompsonCongressman Breimer
    • Robin WeigertHannelore
    • Ravil IsyanovGeneral Sikorsky
    • Christian OliverEmil Brandt

    Recommendations

    • 88

      Rolling Stone

      This is Soderbergh's show, and a haunting and hypnotic show it is.
    • 80

      The Hollywood Reporter

      Blanchett gets everything right -- the accent, her German dialogue, the weary sexuality (deliberately reminiscent of Marlene Dietrich) and the amorality her character has embraced.
    • 75

      Entertainment Weekly

      The leisure-time viewer will say, ''Hey, this is sort of like "Casablanca," so why play it again?''
    • 63

      ReelViews

      The Good German, Steven Soderbergh's film noir homage, is nearly perfect when it comes to style and tone, but it concentrates so single-mindedly on the mechanics of the narrative that it loses sight of its characters.
    • 50

      Variety

      For actor and director, the project seems like trying on a new coat, and it doesn't fit either of them.
    • 50

      Time

      Soderbergh doesn't miss a trick, and for a while it's fun for us to share in his fun. But there comes a moment when his Euro-noir film turns into another sort of exercise for the audience: an exercise in boredom.
    • 50

      New York Magazine (Vulture)

      Steven Soderbergh is usually an inspired chameleon, perfectly suiting his style to his content. But The Good German is an ambitious miss...It's all very beautiful, high-minded, and remote.
    • 50

      The New Yorker

      How, then, does The Good German--adapted by Paul Attanasio from Joseph Kanon's novel--wind up so insubstantial, its impact lasting no longer than a cigarette?

    Seen by

    • Sérgio P.
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    • nougat