Synopsis
When his family moves from their home in Berlin to a strange new house in Poland, young Bruno befriends Shmuel, a boy who lives on the other side of the fence where everyone seems to be wearing striped pajamas. Unaware of Shmuel's fate as a Jewish prisoner or the role his own Nazi father plays in his imprisonment, Bruno embarks on a dangerous journey inside the camp's walls.
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Cast
- Asa ButterfieldBruno Hoess
- Jack ScanlonShmuel
- Vera FarmigaElsa Hoess
- David ThewlisRalf Hoess
- Rupert FriendLieutenant Kurt Kotler
- David HaymanPavel
- Sheila HancockGrandma Nathalie
- Cara HorganMaria
- Richard JohnsonGrandpa
- Amber BeattieGretel Hoess
- 88
Chicago Sun-Times
The Boy in the Striped Pajamas is not only about Germany during the war, although the story it tells is heartbreaking in more than one way. It is about a value system that survives like a virus. - 83
The A.V. Club
The film has any number of chances to exploit the setting and Butterfield's wide-eyed innocence, but instead, it mines a vast, eerie tension by keeping both boys in the dark. - 80
The Hollywood Reporter
Boyne's tale is starkly cautionary, and writer-director Herman handles a difficult topic with great sensitivity, drawing splendid performances from his young actors with David Thewlis and Vera Farmiga and the other grown-ups reliably efficient. - 80
Variety
Opening half-hour has some of the best stuff in the movie, walking a precarious line between black irony and showing the war from a totally German viewpoint, without tipping over into gallows humor or parody. - 80
Village Voice
In adapting Irishman John Boyne's acclaimed young-adult novel, writer-director Mark Herman (Little Voice) draws beautifully modulated performances from his two child actors, who navigate a full range of emotions from wonder to betrayal to guilt. - 75
Philadelphia Inquirer
In key ways, The Boy in the Striped Pajamas is like Guillermo del Toro's "Pan's Labyrinth": a child, caught in the waking nightmare of one of history's ugliest times, confronting the horrors of a grown-up world, and dealing with them as best he, or she, can. - 70
Los Angeles Times
The film's two levels -- metaphoric and nitty-gritty -- don't mesh until the devastation of the closing sequence, which both indulges in and transcends melodrama. - 63
ReelViews
The Boy in the Striped Pajamas should be heartbreaking, but it isn't. The muted quality of its impact is the result of narrative shortcuts and a desire to keep the images from being too startling.
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