XXY

    XXY
    2007

    Synopsis

    Alex, an intersexed 15-year-old, is living as a girl, but she and her family begin to wonder whether she's emotionally a boy when another teenager's sexual advances bring the issue to a head. As Alex faces a final decision regarding her gender, she meets both hostility and compassion.

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    Cast

    • Inés EfrónAlex
    • Martín PiroyanskyÁlvaro
    • Ricardo DarínKraken
    • Valeria BertuccelliSuli
    • Germán PalaciosRamiro
    • Guillermo AngelelliJuan
    • César TroncosoWashington
    • Jean Pierre ReguerrazEsteban
    • Luciano NóbileVando
    • Lucas EscarizSaul

    Recommendations

    • 100

      San Francisco Chronicle

      As finely crafted as a great work of literature.
    • 83

      Portland Oregonian

      The word "hermaphrodite" is never actually uttered, for instance, and the whole topic is revealed obliquely, mostly through the puzzled eyes of Alvaro. Most impressively, a tale that could have been handled with condescending simplicity becomes a testament to the flawed but noble humanity of both parents and children.
    • 75

      TV Guide Magazine

      Efron's remarkable performance as a wild child who seems to truly exist somewhere betwixt and between is riveting.
    • 75

      New York Post

      Ines Efron and Martin Piroyanski give strong performances as Alex and Alvaro, respectively. Debuting director Lucia Puenzo, who co-scripted, tackles a dicey subject with sensitivity and taste.
    • 70

      The Hollywood Reporter

      The story of a young hermaphrodite who's not sure if she's emotionally a boy or a girl manages to be both raw-edged and moving.
    • 70

      Variety

      Picture has more in common with standard child-parent conflict dramas than it would probably care to admit, but its sensitive treatment of an equally sensitive theme elevates it into something memorable.
    • 70

      The New York Times

      If XXY is imagistically too programmatic (a scene of carrots being sliced is typical of its Freudian heavy-handedness) and devoid of humor, it never seems pruriently exploitative. It sustains an unsettling mood of ambiguity that lingers long after the final credits.
    • 63

      Boston Globe

      The grown-ups in Lucia Puenzo's XXY are a glum lot.

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