Synopsis
Set in post-WWII Leningrad as two female soldiers return from war and attempt to rebuild their lives in the ravaged city.
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Cast
- Viktoriya MiroshnichenkoIya Sergueeva
- Vasilisa PerelyginaMasha
- Konstantin BalakirevStepan
- Kseniya KutepovaLyubov Petrovna
- Olga DragunovaSeamstress
- Andrey BykovNikolay Ivanovich
- Igor ShirokovSasha
- Timofey GlazkovPashka
- Alyona KuchkovaStepan's Wife
- Veniamin KacSasha's Friend
- 100
The Irish Times
Each sequence of the film springs a fresh horror and a new intrigue. - 100
The New York Times
This is only the second feature from the sensationally talented Russian director Kantemir Balagov (who was born in 1991), and it’s a gut punch. It’s also a brilliantly told, deeply moving story about love — in all its manifestations, perversity and obstinacy. - 90
Variety
Beanpole is incredibly bleak, but crafted with such care that it’s also deeply compelling. Events so disturbing that you long to look away are presented in images so striking that you cannot. - 83
IndieWire
Beanpole is slow to thaw, and its emotional impact is dulled by a structure that delays the story’s full power until the final moments, but there’s a resonant beauty to how these women seize control over their themselves. - 83
The Playlist
In a film that is so disinterested to conforming to accustomed mainstream movie audiences taste and rhythms, and is committed to its sometimes difficult choices, the bold and exacting Beanpole sometimes feels damn-near radical. - 83
The A.V. Club
Even thought it’s a bleak and uncompromising film, it’d be unfair to call Beanpole “misery porn.” The questions it’s asking are much more complicated, and more cutting, than that. - 80
The Hollywood Reporter
It’s a demanding sit, a film both rigorous and indulgent, rewarding and aggravating. - 80
Film Threat
I wholeheartedly recommend this film as a glimpse into the effects of war on female soldiers, and also as an opportunity to see WWII from a perspective that isn’t American. It has some devastating scenes, which makes sense considering the subject matter, but it also has a faint glimpse of hope that makes the film all the more worth watching.