The Dark and the Wicked

    The Dark and the Wicked
    2020

    Synopsis

    On a secluded farm in a nondescript rural town, a man is slowly dying. His family gathers to mourn, and soon a darkness grows, marked by waking nightmares and a growing sense that something evil is taking over the family.

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    Cast

    • Marin IrelandLouise
    • Michael Abbott Jr.Michael
    • Xander BerkeleyPriest
    • Lynn AndrewsNurse
    • Julie Oliver-TouchstoneMother
    • Tom NowickiCharlie
    • Ella BallentineYoung Girl
    • Michael ZagstFather
    • Mel CowanDoctor
    • Mindy RaymondBecky

    Recommendations

    • 91

      Consequence

      It’s a visceral piece of horror that’s as bleak as it is beautiful.
    • 90

      Slashfilm

      Make no mistake about it, The Dark and the Wicked is by far the scariest movie at the Fantasia Film Festival, and its due in large part to Ireland’s neurotic catatonia. You find yourself holding your breath, waiting to see what spine-chilling event hovers just ahead, hiding behind a dark corner.
    • 90

      The New York Times

      Pitiless in its intent, and hopeless in its sense of sorrowful dereliction, The Dark and the Wicked fully earns its horrifically distressing final scenes.
    • 78

      Austin Chronicle

      The Dark and the Wicked pulls no punches, either in its sense of perpetual unease, its occasional moments of understated yet truly stomach-churning gore, or in its emotional heft.
    • 75

      The A.V. Club

      Although its bleak worldview may be a turnoff for viewers who like their media a bit more life-affirming, if you’ve ever said to a friend, “it’s so fucked up, you’ve got to see it,” The Dark And The Wicked is one horror movie that lives up to its title.
    • 75

      The Film Stage

      This is the Devil’s story. The Dark and the Wicked is Satan entertaining himself with the dread of those he could kill in an instant if he wanted. But he doesn’t. He wants them to endure an agony they never thought possible and for us to question the veracity of what we see.
    • 70

      Variety

      Ireland conveys subtle differences between paranoia and white-knuckled fear with an appealing fragility, while Oliver-Touchstone invites sympathy and disquiet with just a few twitches of her wrinkles. However, the glaring absence of any background to the main characters’ lives and relationships gives the cast less to work with than they deserve.
    • 63

      Movie Nation

      The players sell it. And the jolts — an apparition here, a ghost in a shadows there — get the job done.