Trust

    Trust
    2010

    Synopsis

    A suburban family is torn apart when fourteen-year-old Annie meets her first boyfriend online. After months of communicating via online chat and phone, Annie discovers her friend is not who he originally claimed to be. Shocked into disbelief, her parents are shattered by their daughter's actions and struggle to support her as she comes to terms with what has happened to her once innocent life.

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    Cast

    • Clive OwenWilliam "Will" Cameron
    • Catherine KeenerLynn Cameron
    • Liana LiberatoAnnie Cameron
    • Jason ClarkeFBI Agent Doug Tate
    • Viola DavisGail Friedman
    • Chris Henry CoffeyMr. Weston
    • Spencer CurnuttPeter Cameron
    • Aislinn DeButchKatie Cameron
    • Noah EmmerichAl Hart
    • Olivia WicklineLouise

    Recommendations

    • 100

      Chicago Sun-Times

      David Schwimmer has made one of the year's best films: Powerfully emotional, yes, but also very perceptive.
    • 88

      Observer

      Despite extremely unpleasant material, he (Schwimmer) coaxes subtle, incredible performances from his cast and builds a tense, arresting narrative.
    • 80

      Boxoffice Magazine

      With a sterling cast and an emotionally powerful performance from newcomer Liana Liberato, Trust packs a real dramatic punch.
    • 70

      The New York Times

      The mantle of social relevance can be a heavy one, but Trust, a smooth drama about a girl's seduction and rape by a middle-aged Internet predator, is neither preachy nor hysterically overreaching.
    • 63

      Chicago Tribune

      His (Schwimmer) film deserves some attention for the remarkable performance from Liana Liberato as Annie.
    • 60

      Village Voice

      "Afterschool Special" stuff, but the ensemble rings quite true in their coping processes, as director David Schwimmer proves adept at tracking rogue emotions that no closing "Ordinary People" clench can satisfactorily resolve.
    • 50

      The A.V. Club

      With a little tweaking, this easily could have veered into grindhouse exploitation or mindless wish-fulfillment, but Schwimmer's detached, theatrical approach to his material makes it is more cerebral than visceral, and more Steppenwolf Theatre than Charles Bronson.
    • 50

      Los Angeles Times

      Unfortunately, this well-acted cautionary tale is hampered by a lack of visual finesse and a script in need of a narrative rethink and a dialogue polish.

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