Midnight in Paris

4.09
    Midnight in Paris
    2011

    Synopsis

    A romantic comedy about a family traveling to the French capital for business. The party includes a young engaged couple forced to confront the illusion that a life different from their own is better.

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    Cast

    • Owen WilsonGil
    • Rachel McAdamsInez
    • Kurt FullerJohn
    • Mimi KennedyHelen
    • Michael SheenPaul
    • Nina AriandaCarol
    • Marion CotillardAdriana
    • Léa SeydouxGabrielle
    • Carla BruniMuseum Guide
    • Maurice SonnenbergMan at Wine Tasting

    Recommendations

    • 100

      Observer

      In a film so ripe with temptations for posturing, exaggeration and satirical overacting, nobody is anything less than natural, unpretentious and funny as hell.
    • 90

      Boxoffice Magazine

      Woody Allen's time-travelling comedy Midnight In Paris is a valentine to Paris and an absolute delight.
    • 90

      The Hollywood Reporter

      Darius Khondji's cinematography evokes to the hilt the gorgeously inviting Paris of so many people's imaginations (while conveniently ignoring the rest), and the film has the concision and snappy pace of Allen's best work.
    • 90

      New York Magazine (Vulture)

      This supernatural comedy isn't just Allen's best film in more than a decade; it's the only one that manages to rise above its tidy parable structure and be easy, graceful, and glancingly funny, as if buoyed by its befuddled hero's enchantment.
    • 80

      Variety

      Like a swoony lost chapter from "Paris, je t'aime" agreeably extended to feature length.
    • 80

      Salon

      Allen seems to be paying attention in a way he hasn't always done in recent films, and has found a way to channel his often-caustic misanthropy, half-comic fear of death and anti-American bitterness into agreeable comic whimsy.
    • 80

      Time Out

      This is prime Woody Allen - insightful, philosophical and very funny.
    • 80

      Village Voice

      The latest in a long line of actors playing a "Woody Allen type" in a Woody Allen film, Wilson bends his own recognizably nasal Texan drawl into an exaggerated pattern of staccatos and glissandos that's obviously modeled on the writer/director's near-musical verbal cadences.

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