Gone

5.00
    Gone
    2012

    Synopsis

    Jill Conway is trying to rebuild her life after surviving a terrifying kidnapping attempt. Though she is having a difficult time, she takes small steps toward normalcy by starting a new job and inviting her sister, Molly, to move in with her. Returning home from work one morning, Jill discovers that Molly has vanished, and she is certain that the same man who previously abducted her has returned for revenge.

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    Cast

    • Amanda SeyfriedJill Conway
    • Daniel SunjataPowers
    • Wes BentleyPeter Hood
    • Michael ParéLt. Ray Bozeman
    • Jennifer CarpenterSharon Ames
    • Sebastian StanBilly
    • Emily WickershamMolly Conway
    • Nick SearcyMr. Miller
    • Socratis OttoJim LaPointe
    • Joel David MooreNick Massey

    Recommendations

    • 67

      The A.V. Club

      The film's pieces don't always fit together, but even in isolation, some of those pieces are well worth watching.
    • 65

      Movieline

      Seyfried has spent too much time lately in vehicles that aren't worthy of her, "Red Riding Hood" being the most egregious example. Gone at least takes her seriously – except when, to delicious effect, it doesn't.
    • 58

      Entertainment Weekly

      Which stinks worse? The absurdly large pile of red herrings Gone amasses? Or the film's sub-Scooby Doo conclusion?
    • 40

      Variety

      A low-pulse thriller that evaporates from memory with the last credit.
    • 40

      Boxoffice Magazine

      Gone starts off as a character study about a woman struggling to regain control of her world in the wake of a horribly intrusive event, but that sort of thing doesn't make for a fun night at the movies, so it quickly concedes to a Hitchcockian "wrong woman" riff, in which sexually motivated abduction serves as the worst MacGuffin in movie history.
    • 38

      Rolling Stone

      There's no thrill in Gone because you can see every surprise coming. It lies there flapping like a dying fish. Skip it.
    • 38

      Slant Magazine

      Nearly a year has passed since the release of Catherine Hardwicke's Red Riding Hood, and Amanda Seyfried is still crying wolf.
    • 30

      The Hollywood Reporter

      A thriller so fixated on red herrings that viewers may stop caring if anyone's really in danger, Gone is diverting but unlikely to linger long in theaters.

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