Nymphomaniac: Vol. II

3.50
    Nymphomaniac: Vol. II
    2013

    Synopsis

    The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

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    Cast

    • Charlotte GainsbourgJoe
    • Stellan SkarsgårdSeligman
    • Shia LaBeoufJerôme
    • Willem DafoeL
    • Stacy MartinYoung Joe
    • Udo KierThe Waiter
    • Jean-Marc BarrDebtor Gentleman
    • Jamie BellK
    • Mia GothP
    • Michaël PasOld Jerôme

    Recommendations

    • 83

      IndieWire

      At its best, the film doesn't strain for meaning but instead treats all of its intellectualizing as a lark that can be taken seriously but doesn't need to be.
    • 80

      Time Out London

      We’re never far from Von Trier, and both Skarsgård and Gainsbourg appear to offer different versions of the author himself.
    • 80

      The Guardian

      It is so laden with highly charged set pieces, so dappled with haunting ideas and bold flights of fancy that it finally achieves a kind of slow-burn transcendence.
    • 80

      The Hollywood Reporter

      Volume two gets down in ways the first half doesn't, although anything resembling real sensuality remains MIA.
    • 80

      Variety

      It’s one thing to declare sex a fact of life and insist that audiences confront their unease at seeing it depicted (or, equally constructive, their intense excitation at its mere mention), but quite another to fashion a fictional woman’s life around nothing but sex. As courageously depicted by Gainsbourg, Jo is ultimately a tragic character.
    • 80

      Empire

      A rich movie, seductive when abandoning people for falling snow or bleak nature and funny, painful and unflinching when it gets physical.
    • 80

      Total Film

      Thought-provoking rather than arousing, both films explore the director’s ideas about love, sexuality and loneliness. The organ he seeks to stimulate most is your brain.
    • 80

      The Telegraph

      The point is that you could watch these films for four hours, then spend 14 arguing about them – about whether sex, for vor Trier, is an eternal human mystery, or a cosmic joke at our expense.

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