The Lobster

3.60
    The Lobster
    2015

    Synopsis

    In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.

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    Cast

    • Colin FarrellDavid
    • Rachel WeiszShort Sighted Woman
    • Olivia ColmanHotel Manager
    • Léa SeydouxLoner Leader
    • Michael SmileyLoner Swimmer
    • Ariane LabedThe Maid
    • John C. ReillyLisping Man
    • Ben WhishawLimping Man
    • Angeliki PapouliaHeartless Woman
    • Jessica BardenNosebleed Woman

    Recommendations

    • 100

      The Playlist

      In the end, all the strangeness adds up towards something genuinely significant: an atypically rich and substantial comedy that's stuffed with great scenes and performances even before you start to chew on its bigger questions.
    • 100

      Variety

      A wickedly funny protest against societal preference for nuclear coupledom that escalates, by its own sly logic, into a love story of profound tenderness and originality.
    • 91

      IndieWire

      Though at times almost too peculiar for its own good, The Lobster brings Lanthimos' distinct blend of morbid, deadpan humor and surrealism to a broader canvas without compromising his ability to deliver another thematically rich provocation.
    • 90

      The Hollywood Reporter

      A richly rewarding but often very disturbing, even harrowing work.
    • 83

      Hitfix

      Lanthimos presents a fully formed original vision that hits a perfect tone even when the narrative begins to get away from him a bit.
    • 80

      CineVue

      Lanthimos has broadened his scope and has created a marvellously bleak, bizarre comedy.
    • 80

      Screen Daily

      It may be based on universal human anxieties about love, relationships, compatibility and loneliness, but Filippou’s script takes on a defiant, prickly life of its own, refusing to play as an easy allegory.
    • 80

      The Telegraph

      Every frame has been composed with cerebral coolness, and the hotel and its surrounding forests are shot with a dream-like lucidity. I haven’t seen anything quite like it before, and I’m still not sure that I have even now. This is the kind of film you have to go back to and check it really happened.

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