Synopsis
A seemingly bright and mostly innocent 16-year-old named Mo attempts to navigate high school under the guidance of his best friend Zeke, an unmotivated-yet-charismatic college dropout. Although Zeke genuinely cares about Mo, things start to go awry as he teaches Mo nontraditional life lessons in drug dealing, partying, and dating. Meanwhile, Mo’s well-meaning dad tries to step in and take back the reins of his son’s upbringing.
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Cast
- Griffin GluckMonroe
- Pete DavidsonZeke
- Jon CryerReuben
- Sydney SweeneyHolly
- Emily ArlookKate
- Machine Gun KellyNick
- Thomas BarbuscaStacey
- Oona LaurenceSophie
- Esteban BenitoDoug
- Julia K. MurneySherri
Recommendations
- 80
Slashfilm
A pair of endearing and hilarious lead performances from teenage Griffin Gluck and comedy prodigy Pete Davidson turn the movie into a real gem. - 80
Vanity Fair
Rarely in Big Time Adolescence does anything feel canned or beyond the realm of the credible. All the characters in the film seem to have inner lives; we believe that they exist past the confines of the film. It’s a pleasure to be in their warm and appealing company, even as the proceedings take a turn for the mildly dire. - 75
IndieWire
As coming-of-age stories about wayward teens go, writer-director Jason Orley’s debut is a sturdy, endearing portrait of youth in revolt that takes few surprising turns. But the two actors sell their dynamic well enough to inject the story with palpable authenticity despite the familiar premise. - 75
Entertainment Weekly
If Big Time isn’t exactly a PSA for good adulting, it’s still an endearingly messy portrait of boyhood and manhood and all the lessons in between. - 70
The Hollywood Reporter
Pete Davidson is so on-target you might forget all the lines he's flubbed on Saturday Night Live. - 67
The Playlist
Orley’s direction is fine, and the picture is well made for a low budget indie, but Davidson is all you’ll really remember when you leave the theater. And for many, that’ll be enough. - 67
The Film Stage
As the fun hits a brick wall, the film doesn’t quite have the pathos of other coming-of-age stories like The Edge of Seventeen, more focused on selling the amiable, Superbad-esque hang out vibe that is so attuned to Davidson’s brand of comedy, but when it is time for some comeuppance, it’s easy to feel for both Mo and Zeke. - 67
The A.V. Club
A debauched but heartfelt coming-of-age story about impressionable teenage boys and the imperfect male role models who influence them. Davidson’s most important skill is his ability to share the spotlight and create real chemistry with his co-stars.
