Synopsis
Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.
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Cast
- Alex PettyferNick
- James Freedson-JacksonSam
- Marin IrelandCrystal
- Cindy CheungSarah's Mother
- Melanie Nicholls-KingDetective Reynolds
- Gene JonesGary
- Owen CampbellLuke
- Emily AlthausKelly
- Laurent RejtoMan in Truck
- Will BlomkerRobert
- 83
IndieWire
Its atmospheric sophistication holds strong throughout, channeling a wonder for the natural world reminiscent of Terrence Malick with an air of existential dread straight out of Andrei Tarkovsky. - 80
New York Magazine (Vulture)
The arty but suspenseful drama The Strange Ones is a perfect demonstration of how the craft of storytelling is also the craft of withholding — of revealing as little as possible in carefully parceled-out amounts. - 74
Paste Magazine
The Strange Ones is a solid movie on first watch that becomes a seriously good movie on second watch. Maybe that’s a poor framework for an endorsement, but the film is more than the shock of its climax. - 70
Los Angeles Times
It’s an artful, boundary-pushing debut from Radcliff and Wolkstein, with breakthrough performances from Freedson-Jackson, and Pettyfer, perhaps signaling a new direction in his career. - 67
The Film Stage
Well-acted by lead James Freedson-Jackson, the film takes its subject matter more seriously than it takes its plot. It’s one of those films that captivates in the moment until it all falls apart. - 63
RogerEbert.com
The film is worth seeing because, regardless of things that I wish had been done better or differently, it feels like the beginning of a major filmmaking career, and because Pettyfer and Freedson-Jackson are so strong. - 50
The Hollywood Reporter
However nuanced and artful, the nightmarish unease is laid on so thick that, in combination with the cryptic narrative, it gradually turns to murk. - 38
Slant Magazine
The film's mixture of sensationalism and self-conscious artiness is experimentally disingenuous at best.