The Strange Ones

    The Strange Ones
    2018

    Synopsis

    Mysterious events surround the travels of two brothers as they make their way across a remote American landscape. On the surface all seems normal, but what appears to be a simple vacation soon gives way to a dark and complex web of secrets. This is the feature film version of the 2011 short film going by the same name.

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    Cast

    • Alex PettyferNick
    • James Freedson-JacksonSam
    • Marin IrelandCrystal
    • Cindy CheungSarah's Mother
    • Melanie Nicholls-KingDetective Reynolds
    • Gene JonesGary
    • Owen CampbellLuke
    • Emily AlthausKelly
    • Laurent RejtoMan in Truck
    • Will BlomkerRobert

    Recommendations

    • 83

      IndieWire

      Its atmospheric sophistication holds strong throughout, channeling a wonder for the natural world reminiscent of Terrence Malick with an air of existential dread straight out of Andrei Tarkovsky.
    • 80

      New York Magazine (Vulture)

      The arty but suspenseful drama The Strange Ones is a perfect demonstration of how the craft of storytelling is also the craft of withholding — of revealing as little as possible in carefully parceled-out amounts.
    • 74

      Paste Magazine

      The Strange Ones is a solid movie on first watch that becomes a seriously good movie on second watch. Maybe that’s a poor framework for an endorsement, but the film is more than the shock of its climax.
    • 70

      Los Angeles Times

      It’s an artful, boundary-pushing debut from Radcliff and Wolkstein, with breakthrough performances from Freedson-Jackson, and Pettyfer, perhaps signaling a new direction in his career.
    • 67

      The Film Stage

      Well-acted by lead James Freedson-Jackson, the film takes its subject matter more seriously than it takes its plot. It’s one of those films that captivates in the moment until it all falls apart.
    • 63

      RogerEbert.com

      The film is worth seeing because, regardless of things that I wish had been done better or differently, it feels like the beginning of a major filmmaking career, and because Pettyfer and Freedson-Jackson are so strong.
    • 50

      The Hollywood Reporter

      However nuanced and artful, the nightmarish unease is laid on so thick that, in combination with the cryptic narrative, it gradually turns to murk.
    • 38

      Slant Magazine

      The film's mixture of sensationalism and self-conscious artiness is experimentally disingenuous at best.