Closeness

    Closeness
    2017

    Synopsis

    1998, Nalchik. A Jewish family is in trouble: the youngest son and his bride do not come home, and in the morning, a ransom note arrives. The ransom is so high that the family is forced not only to sell its small business, but also to seek help from its fellow tribesmen.

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      Cast

      • Darya ZhovnerIlana 'Ila' Koft
      • Olga DragunovaAdina Koft
      • Veniamin KacDavid Koft
      • Nazir ZhukovZalim
      • Timur ShidginovTima
      • Anna LevitLeya
      • Evgeniy SannikovZhenya
      • Artyom TsypinAvi Koft
      • Vladimir MikhelsonRabbi
      • Egor Shevyakovdancing guy

      Recommendations

      • 83

        The Playlist

        With his arresting debut, Balagov seems to be on the cusp of greatness, all the more effective for the way he draws upon his personal history to craft unforgettable images.
      • 70

        Screen Daily

        It is a grim, gruelling two hours that might benefit from some editing but Balagov is clearly a talent to watch and festivals championing new discoveries will want to take note.
      • 70

        Screen Daily

        It is a grim, gruelling two hours that might benefit from some editing but Balagov is clearly a talent to watch and festivals championing new discoveries will want to take note.
      • 63

        Movie Nation

        Ila is the heart and soul of Closeness, and Zhovner breathes an impulsive fury into her.
      • 60

        The Irish Times

        Occasionally, the narrative is almost as wilfully undisciplined as its commendably rebellious heroine.
      • 50

        Variety

        Closeness is a tough-minded, rigorously composed, quite brilliantly acted story of the challenges of everyday religious prejudice and ethnic divides in the bleak heart of Russia’s North Caucasus, and in many ways Balagov’s uncompromising but stylized social realism rewards as much as it punishes.
      • 50

        The Hollywood Reporter

        Closeness, the original title of which, Tesnota, also apparently implies being walled-in or suffocated, is dramatically erratic, with tense and compelling sequences alternating with diffuse and/or flat interludes that don't advance the narrative or pay off in other ways.
      • 40

        The New York Times

        This movie, which Balagov, a Nalchik native, states in an onscreen text is based on a true story, has a whole lot of “slow” and one very nasty burn.