ALEXANDRE TRAUNER

ART
Alexandre Trauner (born Sándor Trau; 3 August 1906 in Budapest, Hungary – 5 December 1993 in Omonville-la-Petite, France) was a Hungarian film production designer.
After studying painting at Hungarian Royal Drawing School, he left the country in 1929, fleeing from the antisemitic government of Admiral Horthy.
In Paris, he became the assistant of set designer Lazare Meerson, at the studios in Épinay-sur-Seine working on such films as À nous la liberté (1932) and La Kermesse héroïque (1935).
- The Man Who Would Be King 1975
- How to Steal a Million 1966
- The Fiendish Plot of Dr. Fu Manchu 1980
- The Night of the Generals 1967
- Don Giovanni 1979
- The Trout 1982
- Plucking the Daisy 1956
- The Apartment 1960
- Once More, with Feeling! 1960
- Roads to the South 1978
- Irma la Douce 1963
- Five Miles to Midnight 1962
- Goodbye Again 1961
- Witness for the Prosecution 1957
- Love in the Afternoon 1957
- Hatred 1938
- Coup de Torchon 1981
- Kiss Me, Stupid 1964
- Rififi 1955
- Children of Paradise 1945
- Land of the Pharaohs 1955
- Summer Light 1943
- Zouzou 1934
- Stormy Waters 1941
- Gates of the Night 1946
- The Private Life of Sherlock Holmes 1970
- Othello 1951
- The Seven Deadly Sins 1952
- Be Beautiful and Shut Up 1958
- A Flea in Her Ear 1968
- Daybreak 1939
- Promise at Dawn 1970
- Uptight 1968
- L'Âge d'or 1930
- Behold a Pale Horse 1964
- Bizarre, Bizarre 1937
- So Long, Stooge 1983
- Hôtel du Nord 1938
- Subway 1985
- Port of Shadows 1938
- The Rainbow Thief 1994
- Fedora 1978
- Juliette, or Key of Dreams 1951
- Mystery Tour 1947
- Impossible Object 1973
- Reunion 1989
- 'Round Midnight 1986
- Love Comedy 1989