Phantom of the Opera

    Phantom of the Opera
    1943

    Synopsis

    Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.

    Votre Filmothèque

    Cast

    • Nelson EddyAnatole Garron
    • Susanna FosterChristine Dubois
    • Claude RainsErique Claudin
    • Edgar BarrierRaoul D'Aubert
    • Leo CarrilloSignor Ferretti
    • Jane FarrarBiancarolli
    • J. Edward BrombergAmiot
    • Fritz FeldLecours
    • Frank PugliaVilleneuve
    • Steven GerayVereheres

    Recommandations

    • 80

      Los Angeles Times

      Arthur Lubin's elegant 1942 color version of the Gaston Leroux chiller remains one of the best, with a chilling yet poignant Claude Rains prowling a Paris Opera house, wreaking hideous revenge. [20 Oct 1996, p.4]
    • 75

      Boston Globe

      The Phantom of the Opera was never a brilliant movie, but it remains great, ghoulish fun, with Chaney tiptoeing the line between sympathy and shudders.
    • 60

      The New York Times

      To be sure, the production is elegant. Settings and costumes are superfine and, photographed in technicolor, they all mawe a lavish display. But that richness of décor and music is precisely what gets in the way of the tale.
    • 60

      TV Guide Magazine

      Universal Studios' elaborate and expensive remake of their classic 1925 silent horror film The Phantom of the Opera boasts fabulous sets, gorgeous costumes, and stunning Technicolor photography--but fails in the horror department, because of an excess of music and low comedy.
    • 60

      Variety

      Phantom of the Opera is far more of a musical than a chiller, though this element is not to be altogether discounted, and holds novelty appeal.
    • 50

      The New Yorker

      Someone at Universal had the brainstorm of redoing the 1925 silent Lon Chaney horror picture and taking advantage of the fact that it was set in an opera house to make it not only a sound picture but a high-toned musical. The result is this flaccid, sedate version.
    • 50

      Time Out

      The accent is more on musical extravaganza than horror, with endless operatic snippets for Eddy and Foster to warble, making it all a somewhat tiresome waste of Rains' performance.

    Aimé par

    • MissNobblet