Synopsis
Middle-aged suburban husband Richard abruptly tells his wife, Maria, that he wants a divorce. As Richard takes up with a younger woman, Maria enjoys a night on the town with her friends and meets a younger man. As the couple and those around them confront a seemingly futile search for what they've lost -- love, excitement, passion -- this classic American independent film explores themes of aging and alienation.
Votre Filmothèque
Cast
- John MarleyRichard Forst
- Gena RowlandsJeannie Rapp
- Lynn CarlinMaria Forst
- Fred DraperFreddie Draper
- Seymour CasselChet
- Val AveryJim McCarthy
- Dorothy GulliverFlorence
- Joanne Moore JordanLouise Draper
- Darlene ConleyBilly Mae
- Gene DarflerJoe Jackson
Recommandations
- 100
Chicago Sun-Times
John Cassavetes' Faces is the sort of film that makes you want to grab people by the neck and drag them into the theater and shout: "Here!" It would be a triumphant shout. - 100
Chicago Tribune
This is one of the great alternative masterpieces of the American cinema. In many ways, Cassavetes' most important film. - 91
The A.V. Club
Partly improvised, partly scripted, and partly somewhere between the two, Cassavetes' films have frequently been likened to jazz. Faces bears the stamp of its particular era's jazz; it trades in long stretches of chaos, even ugliness, which produce unexpected passages of grace and beauty. As punishing as that ugliness can be, the graceful bits stick in the memory. - 90
The New York Times
A really important movie about the American class, generation and marriage abyss. - 88
LarsenOnFilm
There is a lot of joy in Faces—John Cassavetes’ second real “Cassavetes” film, 10 years after Shadows—and there is also a lot of anger. Often there’s a drunken combination of the two. But no matter what emotion dominates, the movie itself has the same edge, the same itchiness. It’s constantly scratching its own skin. - 80
TV Guide Magazine
Though it is sometimes a tedious viewing experience, its improvisational and documentary techniques are rewarding. - 80
Los Angeles Times
The plot is bare and a little cliched, but the film's dramatic scenes, usually shot with a roving camera and lighted in fairly crude ways, are realistically, almost voyeuristicly, staged. [04 Jul 1991, p.13] - 75
Slant Magazine
Cassavetes didn’t improvise, and Faces was scripted, but many of the film’s scenes still have the feel of conversations happening right in front of you, with all the imperfections and digressions and looseness of the everyday.
