Rosemary's Baby

4.17
    Rosemary's Baby
    1968

    Synopsis

    A young couple, Rosemary and Guy, moves into an infamous New York apartment building, known by frightening legends and mysterious events, with the purpose of starting a family.

    Votre Filmothèque

    Cast

    • Mia FarrowRosemary Woodhouse
    • John CassavetesGuy Woodhouse
    • Ruth GordonMinnie Castevet
    • Sidney BlackmerRoman Castevet
    • Maurice EvansHutch
    • Ralph BellamyDr. Sapirstein
    • Victoria VetriTerry
    • Patsy KellyLaura-Louise
    • Elisha Cook Jr.Mr. Nicklas
    • Emmaline HenryElise Dunstan

    Recommandations

    • 100

      Chicago Sun-Times

      The brilliance of the film comes more from Polanski's direction, and from a series of genuinely inspired performances, than from the original story.
    • 100

      Slant Magazine

      Rosemary’s Baby is one of horror cinema’s all-time slow burns, drawing viewers gradually into entertaining the possibility that the movie’s series of strange coincidences and accumulating sense of dread are only subjective representations of Rosemary’s unraveling mental state.
    • 100

      The A.V. Club

      As Polanski leads the audience step-by-step through Levin’s queasy plot, he pushes them toward a conclusion straight out of a Louvin Brothers gospel song. Oh yes, brethren: Satan is real.
    • 100

      The Guardian

      This is horror rooted not in misty Carpathian castles, but in recognisable modern life, with the satanists depicted not as outlandish fiends but the sort of everyday folk you might encounter on any urban street.
    • 100

      Time Out London

      A supremely intelligent and convincing adaptation of Ira Levin's Satanist thriller.
    • 100

      Chicago Reader

      A very sophisticated, very effective piece of work spun from primal images, with an excellent cast.
    • 100

      TV Guide Magazine

      Truly frightening because so much of it is so plausible, ROSEMARY'S BABY is one of the finest examples of modern horror, a milestone in the evolution of the genre. Although the subject matter is ultimately supernatural, the treatment is very realistic.
    • 88

      New York Daily News

      Polanski’s direction is smooth and the film itself happily understated. The tension created is practically unbearable.

    Aimé par

    Vu par

    Listes