Dog Day Afternoon

    Dog Day Afternoon
    1975

    Synopsis

    Based on the true story of would-be Brooklyn bank robbers John Wojtowicz and Salvatore Naturile. Sonny and Sal attempt a bank heist which quickly turns sour and escalates into a hostage situation and stand-off with the police. As Sonny's motives for the robbery are slowly revealed and things become more complicated, the heist turns into a media circus.

    Votre Filmothèque

    Cast

    • Al PacinoSonny Wortzik
    • John CazaleSalvatore 'Sal' Naturile
    • Charles DurningDet. Sgt. Eugene Moretti
    • Chris SarandonLeon Shermer
    • James BroderickAgent Sheldon
    • William BogertTV Anchorman
    • Penelope AllenSylvia 'Mouth'
    • Sully BoyarMulvaney
    • Beulah GarrickMargaret
    • Carol KaneJenny 'The Squirrel'

    Recommandations

    • 100

      Empire

      Pacino simmers in this daring and brilliantly constructed treatise on the many facets of a crime.
    • 100

      The A.V. Club

      Dog Day Afternoon is a frank social melodrama that’s also a celebration of quotidian bravery. The camera might linger on guns and barely restrained violence, but it also dwells upon the love and the support that’s extended in the weirdest and most unexpected of places.
    • 100

      The Telegraph

      A masterly reconstruction of a Brooklyn bank siege on August 22, 1972, built around arguably Al Pacino's finest screen performance.
    • 100

      Variety

      The entire cast is excellent, top to bottom. Dog Day Afternoon is, in the whole as well as the parts, film-making at its best.
    • 100

      San Francisco Chronicle

      The film's tone is extraordinarily flexible, holding within the same reality elements of the absurd, the ridiculous and the comic while sustaining a sense of tension and dread throughout. This is, of course, one of the classic Pacino roles - he's so appealing - but don't overlook the late John Cazale as his accomplice, who gives us a character who's stupid and scared, troubled and dangerous, and disturbingly inscrutable.
    • 100

      TV Guide Magazine

      Dog Day Afternoon benefits immeasurably from a cast and crew doing some of the finest work of their careers. One of the finest films of the 1970s.
    • 90

      The New York Times

      Dog Day Afternoon is a melodrama, based on fact, about a disastrously illplanned Brooklyn bank robbery, and it's beautifully acted by performers who appear to have grown up on the city's sidewalks in the heat and hopelessness of an endless midsummer.
    • 88

      Chicago Sun-Times

      Lumet is exploring the clichés, not just using them. And he has a good feel for the big-city crowd that's quickly drawn to the action.

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