Convoy

    Convoy
    1978

    Synopsis

    Trucker Rubber Duck and his buddies Pig Pen, Widow Woman and Spider Mike use their CB radios to warn one another of the presence of cops. But conniving Sheriff Wallace is hip to the truckers' tactics, and begins tricking the drivers through his own CB broadcasts. Facing constant harassment from the law, Rubber Duck and his pals use their radios to coordinate a vast convoy and rule the road.

    Votre Filmothèque

    Cast

    • Kris KristoffersonRubber Duck
    • Ali MacGrawMelissa
    • Ernest BorgnineLyle Wallace
    • Burt YoungPig Pen
    • Madge SinclairWidow Woman
    • Franklyn AjayeSpider Mike
    • Brian DaviesChuck Arnoldi
    • Seymour CasselGovernor Haskins
    • Cassie YatesViolet
    • Walter KelleyHamilton

    Recommandations

    • 70

      Time Out

      The narrative goes a bit over the top in the second half, but it's after a large dose of the best kind of escapist good humour.
    • 70

      The Dissolve

      Convoy has one huge advantage over the song that inspired it: It’s one thing to hear about a mighty convoy, but it’s quite another to see it. There’s a certain tacky, truck-stop grandeur to witnessing so many huge vehicles traveling together like a pack of steel, gasoline-fueled animals.
    • 63

      Slant Magazine

      At its best, the film finds Peckinpah moving into a new poetry of non-violence, of movement associated with explicit, actualized harmony, but the director doesn’t trust himself, mistaking change of form for impersonal commercial stewardship.
    • 63

      Chicago Reader

      It looks like a potboiler: only a few of Peckinpah's themes are present, and they're mostly left undeveloped. But Peckinpah can still stage a fight scene better than anyone, and the film establishes its own crazy rhythm as it runs off wildly through most of the southwest.
    • 60

      Empire

      A noisy but enjoyable destruction derby of a film, sadly with none of the subtlety, invention or skill of Spielberg's Duel.
    • 50

      Variety

      Sam Peckinpah’s Convoy starts out as Smokey and the Bandit, segues into either Moby Dick or Les Miserables, and ends in the usual script confusion and disarray, the whole stew peppered with the vulgar excess of random truck crashes and miscellaneous destruction.
    • 40

      The New York Times

      The movie is a big, costly, phony exercise in myth‐making, machismo, romance-of-the-open-road nonsense and incredible self‐indulgence.
    • 30

      Newsweek

      When a director as gifted, personal and eccentric as Peckinpah makes a film as gaseous and ludicrous as this, the temptation is to laugh, but the spectacle of his continuing skid is a sad one. [10 July 1978, p.83]

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