Synopsis
Rock-and-roll singer Mary Rose Foster's romantic relationships and mental health are continuously imperilled by the demands of life on the road.
Votre Filmothèque
Cast
- Bette MidlerMary Rose Foster
- Alan BatesRudge Campbell
- Frederic ForrestHuston Dyer
- Harry Dean StantonBilly Ray
- Barry PrimusDennis
- David KeithMal
- Sandra McCabeSarah
- Will HareMr. Leonard
- Rudy BondMonty
- Don CalfaDon Frank
Recommandations
- 88
Slant Magazine
Long takes are used frequently, whether in a seven-minute exchange between Rose and Huston in bed or a staggering high-angle shot that frames Rose in front of a football field while using a payphone, before craning down to capture her in close-up. These visual cues, along with Midler’s presence, give the film an immediacy and dynamism. - 80
The New York Times
BY the time you realize what's wrong with "The Rose," it will have you hooked anyhow...The Rose has an earnest, affecting character at its core. Even at its most preposterous, it never feels like a fraud. - 80
TV Guide Magazine
Bette Midler turns in a magnificent performance as a dissipated, Janis Joplin-like rock singer. - 80
The New Yorker
Midler gives a paroxysm of a performance - it's scabrous yet delicate, and altogether amazing. The movie is hyper and lurid, yet it's also a very strong emotional experience, with an exciting visual and musical flow, and there are sharply written, beautifully played dialogue scenes. - 80
Newsweek
Almost certainly Joplin's friends, associates and many of her old fans will accuse The Rose of distortion, sentimentality, vulgarization andother crimes. They will not be entirely wrong, and yet Mark Rydell's film has a certain coarse, splashy integrity. And it has a remarkable, going-all-the-way performance by Bette Midler in her first movie. [12 Nov 1979, p.107] - 75
Chicago Tribune
It's an old, cliche-ridden story made fresh by Middler's energy. - 70
Variety
Result is an ultra-realistic look at the infusion of money, sex, drugs and booze into the simple process of singing a song, a chore Midler does faultlessly in several excellent concert sequences. - 38
The Globe and Mail (Toronto)
If you have missed Janis Joplin, and if you have looked forward to Bette Midler's debut in a role she seemed born to play, you should leave the theatre at that precise moment. Almost everything else in and about The Rose, except a few concert sequences and the occasional occasions when Miss Midler falls out of character and into her stage persona of The Divine Miss M, is infuriatingly tedious, depressing, pretentious, obvious and downright pushy. [10 Nov 1979]
