Synopsis
Young high school couple Darcy Elliot and Stan Bobrucz are one year from graduation, with promising futures ahead of them. But their paths take a drastic turn when Darcy becomes pregnant. Unwilling to go through an abortion or an adoption — despite their parents' pleas — Darcy and Stan decide to sacrifice their college experiences and degrees in order to keep and raise the baby. After a quick marriage, the two realize it won't be as easy as they thought.
Votre Filmothèque
Cast
- Molly RingwaldDarcy Elliot Bobrucz
- Randall BatinkoffStan Bobrucz
- Kenneth MarsMr. Bobrucz
- Miriam FlynnDonna Elliot
- Conchata FerrellMrs. Bobrucz
- Sharon BrownLila
- John ZarchenChris
- Pauly ShoreRetro
- Michelle DowneyMichaela
- Patricia BarryAdoption Official
Recommandations
- 75
Chicago Sun-Times
For Keeps is an intriguing movie that succeeds in creating believable characters, keeping them alive, and steering them more or less safely past the cliches that are inevitable with this kind of material. It’s a movie with heart, and that compensates for a lot of the predictability. - 60
The New York Times
Most of For Keeps is entirely predictable, but that should do little to diminish its interest for audiences of high-school age. Here again, Miss Ringwald is the very model of teen-age verisimilitude, and she's most impressive in making even the most hackneyed situations seem real. - 60
Tampa Bay Times
Director John G. Avildsen and screenwriters Tim Kazurinsky and Denise DeClue do an amiable job balancing humor and pathos while investigating the ultimate nightmare of every sexually active unmarried adolescent. [16 Jan 1988, p.1D] - 50
Miami Herald
For Keeps is schizoid entertainment. It begins as a comedy, shifts briefly into social commentary and winds up in soap opera land, with Ringwald acting nobly and self-sacrificing. The movie has been heralded as a sign of Hollywood's new maturity, because the kids face up to their situation. That is applaudable, but For Keeps is old-fashioned and obvious. It is to teen pregnancy what My Three Sons was to family life. [15 Jan 1988, p.C5] - 40
Washington Post
It's all as cliche'd as "A Summer Place," a better movie even if it was soap opera. For Keeps is a soapbox opera, and the slats are about to fall through. Writers Tim Kazurinsky and Denise DeClue are as wishy-washy about their issues as they are their heroes. And they serve up the usual "you can have it all" scenario. After the teen-agers suffer with didies and postpartum depression, it's off to college to prepare for future careers. [16 Jan 1988, p.B5] - 38
The Globe and Mail (Toronto)
Nice try, spermatozoa. You look forlornly out of place in this make- believe version of reality, where pregnancy intrudes on those well placed to cope with it, and moral issues are fudged wherever possible. [15 Jan 1988] - 30
Time Out
Though the film finally opts for ear-bashing histrionics, its prevailingly pedagogic tone is both coy and tricksy. The dialogue is relentless in its banality, the stereotype characters unattractive and poorly motivated, the plot protracted and predictable. - 30
Los Angeles Times
Almost any movie with Molly Ringwald at its centerpiece has a built-in plus to it. The wonder about For Keeps is that not even Ringwald's customary glow and bedrock believability make a smidgen of difference. Muddled it is and muddled it remains.
