Twin Peaks: Fire Walk with Me

4.50
    Twin Peaks: Fire Walk with Me
    1992

    Synopsis

    In the questionable town of Deer Meadow, Washington, FBI Agent Desmond inexplicably disappears while hunting for the man who murdered a teen girl. The killer is never apprehended, and, after experiencing dark visions and supernatural encounters, Agent Dale Cooper chillingly predicts that the culprit will claim another life. Meanwhile, in the more cozy town of Twin Peaks, hedonistic beauty Laura Palmer hangs with lowlifes and seems destined for a grisly fate.

    Votre Filmothèque

    Cast

    • Sheryl LeeLaura Palmer
    • Ray WiseLeland Palmer
    • Mädchen AmickShelly Johnson
    • Dana AshbrookBobby Briggs
    • Phoebe AugustineRonette Pulaski
    • David BowiePhillip Jeffries
    • Eric DaReLeo Johnson
    • Miguel FerrerAlbert Rosenfeld
    • Pamela GidleyTeresa Banks
    • Heather GrahamAnnie Blackburn

    Recommandations

    • 63

      Rolling Stone

      Though the movie ups the TV ante on nudity, language and violence, Lynch's control falters. But if inspiration is lacking, talent is not.
    • 50

      Entertainment Weekly

      At once hypnotic and baffling, filled with surreal motifs and symbols, Fire Walk With Me could be the most rarefied teen horror film ever made: It's like "A Nightmare on Elm Street" directed by Michelangelo Antonioni.
    • 50

      Chicago Tribune

      The details of this Twin Peaks are slight and repetitious, and their meanings are numbingly obvious. Behind small town America's facade of sweetness and light, there exist darkness and evil-news that is a day late and about $7.50 short. [28 Aug 1992]
    • 42

      Christian Science Monitor

      Judged by the standards of ordinary filmmaking, it's as strange, suggestive, and surreal as other Lynch pictures have been. Judged by the standards of Lynch's own career, however, it's amazingly stale and second-hand… [and] contains not a single moment of genuinely felt emotion. [1 Sept 1992]
    • 40

      Variety

      Engagingly intriguing throughout most of its slightly overlong running time, and perhaps the strangely mesmerizing mood Lynch has orchestrated for the entire "Twin Peaks" undertaking should not be underestimated at this juncture. But the feeling persists that, to a considerable degree, Lynch is marking time with this project, creating new riffs and variations on themes he had already largely worked out.
    • 38

      USA Today

      Except for a brief episode in which singer Chris Isaak and Kiefer Sutherland make like an FBI Rocky and Bullwinkle, this is a morbidly joyless affair. You'll feel as drained as one of Cooper's mugs of joe watching homecoming queen Laura drown in a whirlpool of sex and drugs. [31 Aug 1992]
    • 25

      San Francisco Chronicle

      It's all rather haphazard, and fans will wait in vain for Sheriff Harry S Truman, rich girl sexbomb Audrey Horne and the rest, or for more Cooper. Brief bits that avid viewers can understand will render the film incomprehensible to the new viewer. [29 Aug 1992]
    • 20

      Time

      After an agonizing first half-hour designed to empty the theater, Lynch unleashes his patented perfervid style, puts the familiar dwarfs and feebs on display and elicits a nicely horrifying turn from Lee. [7 Sept 1992]

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