Three Colors: Blue

4.13
    Three Colors: Blue
    1993

    Synopsis

    The wife of a famous composer survives a car accident that kills her husband and daughter. Now alone, she shakes off her old identity and explores her newfound freedom but finds that she is unbreakably bound to other humans, including her husband’s mistress, whose existence she never suspected.

    Votre Filmothèque

    Cast

    • Juliette BinocheJulie Vignon
    • Benoît RégentOlivier
    • Florence PernelSandrine
    • Charlotte VéryLucille
    • Hélène VincentJournalist
    • Philippe VolterReal Estate Agent
    • Claude DunetonDoctor
    • Hugues QuesterPatrice
    • Emmanuelle RivaMother
    • Yann TrégouëtAntoine

    Recommandations

    • 100

      Washington Post

      For Kieslowski, subtlety is a religion. He hints or implies -- anything to keep from laying his cards on the table. With "Blue," you never feel he's shown his whole hand; not even after the game is over.
    • 100

      Los Angeles Times

      Daring in its willingness to risk looking maudlin by dealing with extremes, Blue doesn't hesitate to explore spiritual and psychological states that are beyond many films.
    • 100

      Empire

      What lifts it out of the doldrums is Kieslowski's fascinating use of reflections, focusing techniques and camera angles to give the somewhat pedestrian material a profound and otherworldly East European feel.
    • 89

      Austin Chronicle

      Blue is a movie that engages the mind, challenges the senses, implores a resolution, and tells, with aesthetic grace and formal elegance, a good story and a political allegory.
    • 88

      Chicago Sun-Times

      Think of how we read the thoughts of those closest to us, in moments when words will not do. We look at their faces, and although they do not make any effort to mirror emotions there, we can read them all the same, in the smallest signs. A movie that invites us to do the same thing can be very absorbing.
    • 88

      ReelViews

      As rich in emotional impact as in style, this motion picture sets a high standard that we as viewers can only hope the other two chapters of the trilogy will match.
    • 80

      Variety

      Bold final sequence is a visual and aural crescendo calibrated to show that while each person is fundamentally alone, every life inevitably touches other lives.
    • 80

      The Guardian

      The film is almost totally schematic and this weakens it. What strengthens it is the sheer emotional power of its making.

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