Welcome to Sarajevo

    Welcome to Sarajevo
    1997

    Synopsis

    Follow a group of international journalists into the heart of the once cosmopolitan city of Sarajevo—now a danger zone of sniper and mortar attacks where residents still live. While reporting on an American aid worker who’s trying to get children out of the country, a British correspondent decides to take an orphaned girl home to London.

    Votre Filmothèque

    Cast

    • Stephen DillaneMichael Henderson
    • Woody HarrelsonFlynn
    • Marisa TomeiNina
    • Goran VisnjicRisto Bavić
    • Emira NuševićEmira
    • Kerry FoxJane Carson
    • James NesbittGregg
    • Emily LloydAnnie McGee
    • Igor DžambazovJacket
    • Gordana GadžićMrs. Savić

    Recommandations

    • 100

      Film Threat

      The result is crisp, brutal and utterly inspirational.
    • 88

      ReelViews

      And, while there's nothing revolutionary or extraordinary about the dramatic narrative, the subtext gives Winterbottom's movie its force.
    • 80

      Salon

      Winterbottom's film is openly a polemic. Messy and visceral, with an articulate, pointed anger that's recognizably British, Welcome to Sarajevo hits with an impact that's not diminished by the fact that Sarajevo's uneasy peace has held.
    • 75

      San Francisco Chronicle

      The result is startling and repellent -- a challenge to filmgoers accustomed to fake gunfire, fake wounds and cosmeticized death.
    • 75

      San Francisco Examiner

      The movie is well made by director Michael Winterbottom ("Jude"), with a minimum of overdramatics.
    • 75

      Christian Science Monitor

      In keeping with this background, the movie boldly incorporates actual newsreel footage - with authentic images of human suffering, some of them seen in TV reports on the war - into its conventionally scripted and acted story.
    • 67

      Austin Chronicle

      Tomei looks far too fresh-scrubbed to be anywhere near a bloody, messy hell like this, but the rest of the cast is grimly realistic, particularly Harrelson, who manages to bring some goofball credibility to what is essentially a very small role.
    • 60

      The New York Times

      Yet this film, for all its apparent immediacy, winds up less affecting than a more poetic or roundabout approach might be.

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