Snatch

4.00
    Snatch
    2000

    Synopsis

    Unscrupulous boxing promoters, violent bookmakers, a Russian gangster, incompetent amateur robbers and supposedly Jewish jewelers fight to track down a priceless stolen diamond.

    Votre Filmothèque

    Cast

    • Brad PittMickey O'Neil
    • Jason StathamTurkish
    • Alan FordBrick Top Polford
    • Stephen GrahamTommy
    • Dennis FarinaCousin Avi
    • Robbie GeeVincent
    • Lennie JamesSol
    • Benicio del ToroFranky Four Fingers
    • Rade ŠerbedžijaBoris "The Blade" Yurinov
    • Vinnie JonesBullet-Tooth Tony

    Recommandations

    • 75

      Portland Oregonian

      The convoluted story is an excuse for comical tricks of the camera, fractures of chronology, acid punch lines and amusingly excessive performances. (In this latter category, Pitt, so deep into his character that you can smell him, wins the day gloriously.)
    • 75

      Miami Herald

      Snatch is admittedly superficial, if not downright disposable. More importantly, though, the movie is also fantastic, cheeky fun.
    • 70

      Los Angeles Times

      Even if it's not quite as lighter than air as its predecessor, Snatch remains a lethal diversion.
    • 63

      New York Daily News

      The movie was snatched, all right, and Ritchie is the culprit.
    • 63

      Philadelphia Inquirer

      Since the main reason I go to movies is to engage with characters, I prefer "The Pledge," the film opening today by Madonna's first husband, Sean Penn, rather than this stylish fluff by her second spouse.
    • 60

      L.A. Weekly

      It all feels rather laddish and belabored, but it will eat up 90 minutes of your time without making you regret the loss.
    • 50

      The New York Times

      Mr. Ritchie seems to be stepping backward when he should be moving ahead.
    • 40

      New York Magazine (Vulture)

      The problem with all this don't-blink-or-you'll-miss-it dramaturgy is that ultimately everything is sacrificed for effect. When you're dealing, as Ritchie is, with explosions of real violence and viciousness, the hyperslick technique can't accommodate the real pain that comes with the territory, or ought to. What we're left with is a cackling amorality -- not a philosophy of life, just a posture.

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