Brief Interviews with Hideous Men

    Brief Interviews with Hideous Men
    2009

    Synopsis

    After her boyfriend mysteriously leaves her with little explanation, a doctoral candidate in anthropology at a prestigious East Coast university is left looking for answers as to what went wrong.

      Votre Filmothèque

      Cast

      • Julianne NicholsonSara
      • Will ArnettSubject #11
      • Bobby CannavaleSubject #40
      • Michael CerverisSubject #15
      • Josh CharlesSubject #2
      • Dominic CooperDaniel / Subject #46
      • Frankie FaisonSubject #42
      • Will ForteSubject #72
      • Benjamin GibbardHarry / Subject #20
      • Malcolm GoodwinFather of Subject #42

      Recommandations

      • 70

        The Hollywood Reporter

        One hell of a date movie. A surgical examination of the male psyche based on David Foster Wallace's book and written and directed by John Krasinski, there is plenty of food for thought and argument.
      • 67

        Entertainment Weekly

        At times, the movie could have been called "Me and You and Every One of the Bastards We Know," but Krasinski preserves Wallace's whooshing roller coasters of words, powered by the fuel of confession.
      • 67

        The A.V. Club

        Raises the question of whether Krasinski made this movie because he really loves Wallace’s work, or because just he wanted to show Hollywood that the loveable doof from The Office can actually act.
      • 63

        USA Today

        An insightful, sharply written and unsettlingly amusing exploration of the darker elements of masculinity.
      • 50

        New York Magazine (Vulture)

        Works only in spurts.
      • 40

        Variety

        It's a very academic movie about academics that belongs in academia, not movie theaters.
      • 40

        Time Out

        The question is, could someone turn these full-frontal-dudity snapshots into a satisfying, cohesive movie? Answer: no, but not for lack of trying.
      • 40

        NPR

        Faced with the unenviable choice between honoring his daunting inspiration and telling his own story, the director shoots straight down the middle -- and misses both targets.

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