Synopsis
Skillfully framed by an unknown enemy for the murder of a priest, wanted vigilante MacManus brothers Murphy and Connor must come out of hiding on a sheep farm in Ireland to fight for justice in Boston.
Votre Filmothèque
Cast
- Sean Patrick FlaneryConnor MacManus
- Norman ReedusMurphy MacManus
- Billy ConnollyPoppa Il Duce
- Clifton Collins Jr.Romeo
- Julie BenzEunice Bloom
- Peter FondaThe Roman
- Paul JohanssonRick
- Judd NelsonConcezio Yakavetta
- David Della RoccoRocco
- Bob MarleyDetective Greenly
- 50
Boston Globe
The result isn’t art but it is an improvement: a scurrilous, lowdown, sub-Tarantino action comedy that, unlike the original, doesn’t make you want to claw your eyes out. How’s that for praise? - 50
The New York Times
Like its predecessor, All Saints Day will, if nothing else, be a cult item for Roman Catholic schoolboys; the next sequel, blatantly set up, should arrive no later than 2019. - 40
New York Daily News
The only truly ugly side to this self-consciously grimy movie is the streak of Neanderthal humor. Operatic overacting is funny. Racist and homophobic jokes? Not so much. - 38
New York Post
You wouldn't call The Boondock Saints II: All Saints Day a taut thriller. More like a fleshy, messy, jangled frenzy of shootouts and much discussion about the mechanics of romantic entanglements that bloom between prison inmates. - 30
Village Voice
John Woo outgrew stylizing movies like this in the '90s, but Duffy is still chasing his perfect slide-and-shoot, except now with more self-satisfied posturing, awkward pop-culture referencing, casual homophobia and racism, and the most vulgar co-opting of religious iconography this side of Dan Brown. - 30
The Hollywood Reporter
Although the Tarantino influence still is tangible, this time around Duffy reveals himself to also be a big Francis Ford Coppola fan, but the cartoonish end result plays like "Godfather III" meets the Three Stooges. - 30
Variety
Feels larger in scope yet sorely lacking in originality. - 30
Los Angeles Times
Duffy tamps down his best instincts -- occasional wry humor and the appealingly oddball supporting character (Willem Dafoe last time, a bug-eyed Clifton Collins Jr. here as the MacManus' admiring Latino cohort) -- and doubles up on his worst: homophobic gags, tedious '90s-era slo-mo shootouts and overwrought gangster tropes.