Dracula 3D

    Dracula 3D
    2012

    Synopsis

    When Englishman Jonathan Harker visits the exotic castle of Count Dracula, he is entranced by the mysterious aristocrat. But upon learning that the count has sinister designs on his wife, Mina, Harker seeks help from vampire slayer Van Helsing.

    Votre Filmothèque

    Cast

    • Thomas KretschmannDracula
    • Asia ArgentoLucy
    • Rutger HauerAbraham van Helsing
    • Marta GastiniMina Murray
    • Unax UgaldeJonathan Harker
    • Miriam GiovanelliTania
    • Maria Cristina HellerJarmila
    • Morgane SlempInga
    • Augusto ZucchiAndrej
    • Giuseppe Lo ConsoleZoran

    Recommandations

    • 60

      Los Angeles Times

      The effects may be cheap and unconvincing, the sets spare, the costumes from some unwanted back rack, but Argento still brings enough moments of kinky madness to his not-great "Dracula" to indicate there may yet be greatness lurking within him.
    • 38

      Slant Magazine

      The film is dispiriting because there's virtually no sign of Dario Argento in it, nor of any novel motivation to mount yet another version of an oft-told tale.
    • 30

      Variety

      Director Argento half-heartedly mixes schlocky 3D f/x with one-dimensional characters for a near-two-hour joke that ought to have been funnier.
    • 30

      Village Voice

      Unfortunately, Argento never acknowledges he's in on the joke, nor is the film quite ridiculous enough for us to coast enjoyably on derision. When it comes to B-movies, sometimes anything less than way too much isn't nearly enough.
    • 30

      The Dissolve

      It isn’t just sub-par for Argento, it’s sub-par for virtually any director. It’s a stain on Dracula’s good name, and a waste of time for even those looking for the cheapest of vampiric thrills.
    • 25

      The A.V. Club

      No amount of intentional stabs at humor can offset the hilarious awfulness of Dario Argento’s Dracula.
    • 20

      Time Out

      Where, exactly, is Dario Argento? He’s up there in the title, but none of the horror maestro’s former genius (Suspiria) is evident in this silly, Stoker-by-numbers slog, rife with cheesy digital blood spurts but not a single moment of deep-red gorgeousness.
    • 20

      The New York Times

      When insects are the best thing in your movie, it’s probably time to retire.

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