Jane Got a Gun

    Jane Got a Gun
    2015

    Synopsis

    After her outlaw husband returns home shot with eight bullets and barely alive, Jane reluctantly reaches out to an ex-lover who she hasn't seen in over ten years to help her defend her farm when the time comes that her husband's gang eventually tracks him down to finish the job.

      Votre Filmothèque

      Cast

      • Natalie PortmanJane Hammond
      • Joel EdgertonDan Frost
      • Ewan McGregorJohn Bishop
      • Noah EmmerichBill Hammond
      • Boyd HolbrookVic Owen
      • Rodrigo SantoroFitchum
      • Alex ManetteBuck
      • Todd StashwickO'Dowd
      • James BurnettCunny Charlie
      • Sam QuinnSlow Jeremiah

      Recommandations

      • 70

        Screen Daily

        The motivations and the performances are solid in Jane Got A Gun, an attractively mounted post-Civil War revenge drama with plenty of shooting and a well-placed twist or two.
      • 70

        Variety

        A solidly made and conventionally satisfying Western.
      • 70

        Los Angeles Times

        Jane Got A Gun may not have reinvented the wagon wheel, but it rolls out as a sturdy, well-crafted genre piece despite its rocky road to the screen.
      • 65

        TheWrap

        Jane Got a Gun takes long pauses in the action to chronicle through flashbacks how this love triangle comes to defend a single home. The film’s greatest surprise is that these unabashedly emotional flashbacks work.
      • 63

        RogerEbert.com

        Jane Got a Gun has its good points and less demanding fans of the Western genre may find some value in it, especially considering how few films of its type actually get made these days.
      • 58

        The A.V. Club

        Even when the movie focuses on its imagery rather than its plot mechanics, it seems intent on covering its bases rather than committing to a particular look or mood.
      • 50

        Entertainment Weekly

        Since the film’s last-minute rewrites, casting switcheroos, and musical chairs behind the camera are irrelevant to the actual quality of the movie, I’ll avoid rehashing them here, save to say that the disarray shows on screen.
      • 40

        The New Yorker

        Put the evidence together, and it’s no surprise that this poor little movie fires blanks. It never wanted to be a Western at all.

      Aimé par

      • fossuary