Synopsis
A former child art prodigy and second generation petty thief arranges to buy his way out of prison to spend time with his ailing son, only to be forced to alter his plans and commit one more job for the man who financed his release.
Votre Filmothèque
Cast
- John TravoltaRaymond Cutter
- Christopher PlummerJoseph Cutter
- Tye SheridanWill Cutter
- Abigail SpencerDEA Agent Catherine Paisley
- Marcus ThomasCarl
- Travis Aaron WadeDetective Devlin
- Lyndon SmithMelanie
- Anson MountTommy Keegan
- Jennifer EhleKim
- Julio Oscar MechosoRaul Carlos
Recommandations
- 58
Entertainment Weekly
The art-heist plot is pretty by-the-numbers, but Travolta nearly saves it with his doomed air of paternal helplessness. He makes you feel the weight of being at the mercy of forces bigger than oneself. At 61, he still possesses something rare, even in rote material like this. - 40
Village Voice
The film works marginally well as the story of a broken family trying to heal itself, but the third act is a whole different movie. - 38
Slant Magazine
A sluggish, obvious fusion of a disease-of-the-week tearjerker with a comedic family crime romp that abounds in stiflingly over-emphasized Boston-crime-movie details. - 38
Movie Nation
Among that promising cast, only Plummer and Ehle give us anything more than paint-by-numbers turns. Travolta? He’s a pale imitation of himself, as ill-fitted to the role as that odd prison soul patch he sports under Ray’s carefully streaked mop of hair. - 38
New York Post
Soggy, strictly by-the-numbers crime thriller. - 33
The A.V. Club
Nicolas Cage at least manages to bring the occasional jolt of electricity to disposable genre tripe like this. Travolta is practically comatose. - 30
The Hollywood Reporter
While director Martin keeps the film moving, its implausibilities turn from holes into canyons. - 30
Variety
Nothing feels fresh here — not even Christopher Plummer hamming it up as a crusty-coot grandpa — and Philip Martin’s routinely polished direction only underscores the cliche-composting of Richard D’Ovidio’s script.
