Synopsis
A young writer begins an affair with an older woman from France whose open marriage to a diplomat dictates that they can meet only between the hours of 5 p.m. to 7 p.m.
Votre Filmothèque
Cast
- Anton YelchinBrian Bloom
- Bérénice MarloheArielle Pierpont
- Olivia ThirlbyJane
- Lambert WilsonValery Pierpont
- Frank LangellaSam Bloom
- Glenn CloseArlene Bloom
- Eric StoltzJonathan Galassi
- Jocelyn DeBoerKiva Bloom
- David ShannonJim Sheehy
- Joseph D'OnofrioWaiter
- 88
New York Post
Proving it’s still possible to stick to the broad contours of “The Graduate” story and come up with something brightly endearing, 5 to 7 is a memorable directorial debut for “Mad Men” writer Victor Levin. - 75
Observer
From this less than enchanting excuse for a feature-length movie comes 5 to 7, featuring delicious performances, extremely witty dialogue without the customary Hollywood television punch lines, a convincing believability quotient, and some beautiful cameos, especially by Glenn Close and Frank Langella as Mr. Yelchin’s disapproving but modern, adaptable parents. - 70
The Hollywood Reporter
Sumptuous and romantic in an attractively old-fashioned way despite a hitch designed to give some contemporary American idealists pause -- the writer's lover is married, with no interest in divorce -- the film satisfies in a wholly commercial way. - 70
Variety
Courageously sentimental in an age of irony, Victor Levin’s refreshingly articulate 5 to 7 delivers romance of the sort thought lost since the days of Audrey Hepburn, for those who appreciate such finery. - 63
Slant Magazine
Ironically, the Victor Levin film's mildness turns out to be its most engaging quality. - 60
The Dissolve
Accepted as fantasy, 5 To 7 has a bright, literate charm that’s hard to resist, thanks to the scattered witticisms in Levin’s script, a deftly managed tone, and fine performances across the cast. - 58
The A.V. Club
It’s a movie to be mildly enjoyed and then left behind — apropos, given the subject matter. - 40
Time Out
At its best, 5 to 7 is refreshingly sentimental in an age ruled by caustic irony, and the obvious fact that its romance is doomed from the start doesn’t make the film any less fantastical.