Synopsis
When the old-old-old-fashioned vampire Vlad arrives at the hotel for an impromptu family get-together, Hotel Transylvania is in for a collision of supernatural old-school and modern day cool.
Votre Filmothèque
Cast
- Adam SandlerDracula (voice)
- Andy SambergJohnny Loughran (voice)
- Selena GomezMavis Dracula (voice)
- Kevin JamesFrankenstein (voice)
- Steve BuscemiWayne (voice)
- David SpadeGriffin (voice)
- Keegan-Michael KeyMurray (voice)
- Asher BlinkoffDennis (voice)
- Fran DrescherEunice (voice)
- Molly ShannonWanda (voice)
Recommandations
- 80
TheWrap
Whereas the jokes in the “Grown Ups” series feel reactionary and bullying, the family-friendly Hotel Transylvania gags (in the script by Sandler and Robert Smigel) instead come off as clever and humane, even when they’re making fun of helicopter moms and lawsuit-sensitive summer camps. - 70
The Hollywood Reporter
This time around, greater attention has been paid to story and character development (while scaling back on all the sight gags) and the substantial results give the ample voice cast and returning director Genndy Tartakovsky more to sink their teeth into, with pleasing results. - 50
Movie Nation
It skews very young, and for that crowd, Hotel Transylvania 2 works well enough. If this is Sandler’s sentence for all the awful, lazy live-action fare he’s fed his fans over the years, he and we can say he got off easy. - 50
Arizona Republic
There are some nice messages of inclusion, but they’re crowded out by a big dumb action scene at the end. - 50
Washington Post
If you enjoy Sandler’s brand of obvious humor and don’t mind noticeable Sony product placements, this inoffensive sequel is, like its predecessor, just enough for a Halloween treat. - 50
Boston Globe
For the haters out there, you could see where Sandler reprising his role as a cartoon Dracula in Hotel Transylvania 2 might just be the perfect metaphor: Yep, there he goes again, evilly sucking the lifeblood out of decent entertainment. Now come on, let’s grab the torches! - 38
Slant Magazine
It risks offense by putting a typically Adam Sandler-ian twist on a tired familial trope, though such risks can often be the only thing enlivening forced franchise installments like this one. - 30
Variety
Any message about the need for open-mindedness in life and love, however, is muddled by a slapdash plot that ultimately cares less about taking a stand in favor of progressive values than it does in superficially employing such feel-good ideas for unimaginative, hyperactive adolescent slapstick.
