The Public

    The Public
    2019

    Synopsis

    An act of civil disobedience turns into a standoff with police when homeless people in Cincinnati take over the public library to seek shelter from the bitter cold.

    Votre Filmothèque

    Cast

    • Emilio EstevezStuart
    • Jena MaloneMyra
    • Taylor SchillingAngela
    • Michael Kenneth WilliamsJackson
    • Alec Baldwin
    • Christian Slater
    • Gabrielle Union
    • Jeffrey Wright
    • Richard T. Jones
    • Jacob Vargas

    Recommandations

    • 67

      The Film Stage

      Estevez isn’t afraid to swing for the fences and elicit some tears from empathetic audience members, but he’s also willing to stop himself short of full-on exploitation via senseless violence. That’s what makes The Public a success despite the convenient characters and constant paralleling showing the merit of second chances. Estevez never forgets the humanity he’s striving to spotlight.
    • 63

      RogerEbert.com

      The film is often entertaining, with some nice touches and compelling moments.
    • 58

      The Playlist

      Even though The Public ultimately doesn’t come together as a dramatic piece, particularly in the hammy climax, it does take some impressive chances. Just making a story about the invisible homeless is a brave move to start—audiences tend not to like stories about intractable issues, after all.
    • 50

      Los Angeles Times

      What could have been a deep and rousing clarion call on the homeless crisis gets supplanted by surface characterizations and situations, us-against-them broadsides and weak story strands.
    • 50

      TheWrap

      The film is a clunky and at times ridiculous affair, taking a situation that might reasonably happen and turning it into something melodramatic and ultimately unbelievable.
    • 50

      San Francisco Chronicle

      Estevez further undermines the film by casting himself in the lead role. He gives an odd performance, in which he consistently seems to be going for enigmatic, but he ends up just inexpressive.
    • 50

      The New York Times

      Most egregiously, Gabrielle Union plays a TV news reporter determined to portray the protest as a hostage situation. At the film’s nadir, Stuart, on the phone with her during a broadcast, stops making his case and begins quoting from “The Grapes of Wrath.”
    • 40

      Arizona Republic

      [Estevez] still hasn't progressed beyond the film-school basics, but somehow he managed to recruit an all-star cast of (presumably) like-minded activists for The Public.