Synopsis
When Michèle, the CEO of a gaming software company, is attacked in her home by an unknown assailant, she refuses to let it alter her precisely ordered life. She manages crises involving family, all the while becoming engaged in a game of cat and mouse with her stalker.
Votre Filmothèque
Cast
- Isabelle HuppertMichèle
- Laurent LafittePatrick
- Anne ConsignyAnna
- Charles BerlingRichard
- Virginie EfiraRebecca
- Judith MagreIrène
- Christian BerkelRobert
- Jonas BloquetVincent
- Alice IsaazJosie
- Vimala PonsHélène
Recommandations
- 100
The Film Stage
Elle would be unimaginable without Huppert, who delivers a performance of such virtuosity that she turns what is essentially a raving sociopath into one of the most alluring protagonists in recent memory. - 100
The Guardian
The film is utterly gripping and endlessly disturbing. - 100
Variety
Knowingly incendiary but remarkably cool-headed, and built around yet another of Isabelle Huppert’s staggering psychological dissections, Paul Verhoeven’s long-awaited return to notional genre filmmaking pulls off a breathtaking bait-and-switch: Audiences arriving for a lurid slab of arthouse exploitation will be taken off-guard by the complex, compassionate, often corrosively funny examination of unconventional desires that awaits them. - 90
The Hollywood Reporter
It’s all quite perverse for sure, which of course is no surprise coming from either the actress or the director, though what’s welcome about Elle is the way they combine their talents to make a film that hardly skimps on the sex, violence and sadism, yet ultimately tells a story about how one woman uses them all to set herself free. - 90
Screen Daily
This audacious, irony-laced, convention-jumbling tale is just plain fun to watch. - 90
TheWrap
The film is riotously funny, and Isabelle Huppert has never been better. - 83
IndieWire
Elle doesn't always maintain the clever balance of naughtiness and dramatic confrontations that make it such an appealingly unconventional romp. - 83
The Playlist
The list of the film’s transgressions against the culturally acceptable is almost gratuitously long. But the spine of self-aware intelligence that runs through even its most grotesque, exploitative, and offensive twists, and the basically incredible, irreplaceable central performance from Isabelle Huppert, make this queasily hilarious mass of contradictions just about cohere.
