The Book of Henry

    The Book of Henry
    2017

    Synopsis

    Susan, a single mother of two, works as a waitress in a small town. Her son, Henry, is an 11-year-old genius who not only manages the family finances but acts as emotional support for his mother and younger brother. When Henry discovers that the girl next door has a terrible secret, he implores Susan to take matters into her own hands.

    Votre Filmothèque

    Cast

    • Naomi WattsSusan Carpenter
    • Jaeden MartellHenry Carpenter
    • Jacob TremblayPeter Carpenter
    • Sarah SilvermanSheila
    • Maddie ZieglerChristina Sickleman
    • Lee PaceDr. David Daniels
    • Dean NorrisGlenn Sickleman
    • Bobby MoynihanJohn
    • Tonya PinkinsPrincipal Wilder
    • Geraldine HughesMrs. Evans

    Recommandations

    • 50

      IndieWire

      It’s intermittently funny, mopey, and tense, sometimes totally off-base but certainly ambitious in its approach.
    • 50

      Movie Nation

      The only way to appreciate The Book of Henry is by treating it as the movie equivalent of a summer read, a beach book that tries to pack in the full breadth of human experience into a few too many pages.
    • 42

      The Film Stage

      Watching The Book of Henry feels like being gaslit.
    • 42

      The Playlist

      The entire thing feels forced and hollow, less an authentic expression of the human experience and more a gee-whiz exercise in cleverness, slathered in a healthy coat of multiplex-friendly weirdness.
    • 40

      The Hollywood Reporter

      The preposterousness of Gregg Hurwitz's screenplay isn't enough to throw star Naomi Watts off her game, and the actor's sincere performance may suffice to keep a segment of the family-film demographic on board, barely.
    • 40

      TheWrap

      The really sad thing is that this is a movie with some intriguing characters that has some real comic and dramatic potential, but all this gets lost in increasingly silly plot mechanics.
    • 38

      Boston Globe

      The plot proceeds from the charming to the manipulative to the shameless to the demented in gentle steps that may lull some audiences the way a frog can be boiled to death by degrees.
    • 30

      Variety

      The film’s muted yet still rather flamboyant terribleness derives from the fact that it seems to be juggling three or four borderline schlock genres at once.

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