Synopsis
In 1950s London, renowned British dressmaker Reynolds Woodcock comes across Alma, a young, strong-willed woman, who soon becomes ever present in his life as his muse and lover.
Votre Filmothèque
Cast
- Daniel Day-LewisReynolds Woodcock
- Vicky KriepsAlma Elson
- Lesley ManvilleCyril Woodcock
- Camilla RutherfordJohanna
- Gina McKeeCountess Henrietta Harding
- Brian GleesonDr. Robert Hardy
- Harriet Sansom HarrisBarbara Rose
- Lujza RichterPrincess Mona Braganza
- Julia DavisLady Baltimore
- Julie VollonoLondon Housekeeper
- 100
IndieWire
The director’s most outwardly accessible movie in ages, Phantom Thread is at once an evocative period drama and a magical fable about lonely, solipsistic people finding solace in their mutual sense of alienation. - 100
The Guardian
There is such pure delicious pleasure in this film, in its strangeness, its vehemence, its flourishes of absurdity, carried off with superb elegance. - 100
The Telegraph
The odd scenarios keep coming, fast and thick. Phantom Thread is built along the theoretically familiar lines of gothic romance – if you had to pick a predecessor, it would probably be Hitchcock’s Rebecca – but it’s very hard in the moment to work out where on earth it’s going, or even how conventionally romantic Reynolds and Alma’s relationship actually is. - 100
Slant Magazine
Phantom Thread arrives at a place of qualified peace that cauterizes the emotional wounds of Paul Thomas Anderson's cinema. - 100
The Playlist
[Anderson's] unobtrusive aesthetic, calibrated to highlight his actors and, of course, the fashion, belies its deceptive luxuriousness. This is a movie you’ll want to live in for the pure joy of reveling in Anderson’s effortless mastery. - 100
The Hollywood Reporter
More unconventional and downright weird on a moment-to-moment basis than it is in overall design and intent, it's a singular work played out mostly in small rooms that harks back to psychological melodramas of the 1940s/50s but hits stylistic notes entirely its own. - 100
Screen Daily
Writer-director Paul Thomas Anderson has crafted a period drama of startling tonal fluidity, and Daniel Day-Lewis and Vicky Krieps deliver reserved performances that slowly reveal significant depth, transcending the material’s potential plight-of-the-artist clichés to hit at something far richer and more mysterious about desire, ambition and control. - 95
TheWrap
An elegantly stitched romance of vector-crossing emotional neediness, it’s set in an evocative ecosphere of haute couture fashion. But by the time it reaches its appetizingly perverse end, the film primarily reaffirms Anderson’s own skill at hand-crafting exquisitely conflicting interior and external worlds.