Mary and The Witch's Flower

    Mary and The Witch's Flower
    2017

    Synopsis

    Mary Smith, a young girl who lives with her great-aunt in the countryside, follows a mysterious cat into the nearby forest where she finds a strange flower and an old broom, none of which is as ordinary as it seems.

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    Cast

    • Yuki AmamiMadam Mumblechook (voice)
    • Ryunosuke KamikiPeter (voice)
    • Hana SugisakiMary (voice)
    • Fumiyo KohinataDoctor Dee (voice)
    • Hikari MitsushimaThe Red-Haired Witch (voice)
    • Jiro SatoFlanagan (voice)
    • Kenichi EndoZebedee (voice)
    • Eri WatanabeMiss Banks (voice)
    • Shinobu OtakeGreat-Aunt Charlotte (voice)
    • Ikue OtaniTib (voice)

    Recommandations

    • 95

      The Verge

      Mary and the Witch’s Flower doesn’t just borrow elements from Ghibli, it feels like a complete continuation of the studio’s work. It’s a welcome relief for every animation fan who thought that particular era of Japanese animation had, after 30 years, quietly come to a close.
    • 87

      TheWrap

      A lovingly crafted fantasy on an epic scale, Mary and the Witch’s Flower is a film about transformation made by filmmakers in transition.
    • 80

      The Hollywood Reporter

      Director Yonebayashi Hiromasa (When Marnie Was There) returns with a more lighthearted anime feature in Mary and the Witch’s Flower, a stirring adventure most suitable for tweens and teens.
    • 80

      Los Angeles Times

      If Yonebayashi’s movie doesn’t have the visual richness and imaginative depth of Ghibli masterpieces like Hayao Miyazaki’s “Spirited Away,” its emotional warmth and wondrously inviting hand-drawn imagery carry on that company’s proud tradition.
    • 75

      The A.V. Club

      It’s a movie with no greater ambition than to charm and occasionally delight. Mission accomplished.
    • 70

      The New York Times

      The spell Mr. Yonebayashi casts is effective, but also ephemeral. It’s minor magic.
    • 67

      The Film Stage

      Mary and the Witch’s Flower is safe, containing no assertion of Ponoc as an artistic force beyond its overall technical accomplishment.
    • 63

      Slant Magazine

      This is a film about the adolescent pangs to belong that also mines its tale of magic and malevolence for an imaginative allegory about the excesses of scientific inquiry.

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