Ikiru

4.00
    Ikiru
    1952

    Synopsis

    Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.

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    Cast

    • Takashi ShimuraKanji Watanabe
    • Haruo TanakaSakai
    • Nobuo KanekoMitsuo, son of Kanji
    • Bokuzen HidariOhara
    • Miki OdagiriToyo
    • Shinichi HimoriKimura
    • Minoru ChiakiNoguchi
    • Minosuke YamadaSubordinate Clerk Saito
    • Kamatari FujiwaraSub-Section Chief Ono
    • Makoto KoboriKiichi Watanabe, Kanji's Brother

    Recommendations

    • 100

      Chicago Sun-Times

      Over the years I have seen "Ikiru" every five years or so, and each time it has moved me, and made me think.
    • 100

      ReelViews

      A thoughtful, existential meditation about the meaning of life and what constitutes a life well-lived, Ikiru is almost guaranteed to prod the viewer to examine his or her own mortality and ponder how, in the end, the scales will tip.
    • 100

      LarsenOnFilm

      The genius of Akira Kurosawa’s Ikiru is the way this deeply sentimental film continually deflates sentimentality.
    • 100

      Total Film

      This is the flip side to his samurai films, an introspective, naturalistic contemporary drama combining progressive social criticism with a universal humanist message.
    • 90

      Variety

      Kurosawa performs a tour-de-force in keeping a dramatic thread throughout and avoiding the mawkish. It is technically excellent with a telling Occidental-type musical score.
    • 80

      Los Angeles Times

      Like “Stray Dog” and “Drunken Angel,” it illuminates a reeling society while telling a story of deep human emotion.
    • 80

      Time Out

      Kurosawa’s eclectic style is a delight: his striking, varied compositions reflecting the old man’s journey from darkness to some kind of light right until the moving finale.
    • 75

      New York Daily News

      Akira Kurosawa's talent for analysis, interpretation and projection is again apparent in "To Live." [30 Jan 1960, p.22]

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